Two lifelong friends bond whilst vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?

For 19 years, critically acclaimed singer-songwriter Mark Kozelek has toured solo and as front man of both Red House Painters and Sun Kil Moon. Until now, he has never given filmakers access into his life on the road. Filmed during portions of Mark Kozelek s European and North American tours of 2010 and 2011, this is a rare glimpse into Mark s backstage areas and passenger seat travels. Shot in black and white, this dynamic film captures the fast paced travel of a singer on a solo-acoustic journey, giving viewers an inspirational look at its high points, and also a stark view of its mundane realities. Footage includes an intimate version of 'Katy Song' performed at Sant'Ambrogio Church in Bologna, a mesmerizing 'Half Moon Bay' performed in Switzerland, and a flamenco-flourished Third and Seneca' filmed in a Copenhagen hotel room. . The film s soundtrack includes album tracks, concert recordings, hotel room performances, and a score written and performed by Mark Kozelek

Mirabelle is a disenchanted salesgirl and aspiring artist who sells gloves and accessories at a department store. She has two men in her life: wealthy divorcée Ray Porter and struggling musician Jeremy. Mirabelle falls in love with the glamorous Ray, and her life takes a magical turn, but eventually she realizes that she must empower herself and make a choice between them.

David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.