Japan, 1860. The men of the Mito clan, victims of the Ansei purge, anxiously prowl around the Sakurada Gate of Edo Castle with the intention of assassinating Naosuke Ii of Hikone, tairō of the Tokugawa shogunate and responsible for their misfortune.

The film takes place at the junction of the two eras of Meiji and Taisho. Sakata Sankichi, an uneducated zori sandal maker, becomes a professional shogi player through his genius shogi skills and lives a fanatically devoted shogi game supported by the love of his family. This is the 3rd adaptation of Hideji Hojo's famous play.

1962 Japanese movie

When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.

Kayama Ichinoshin (Raizo Ichikawa) has been traveling for ten years in search of revenge for his father. One day, Ichinoshin reunites with his younger brother Shinjiro (Yukio Hashi), who has completely changed. Shinjiro abandoned the quiet samurai life and began to lead a Yakuza lifestyle. The older brother is angry at the younger one for his depravity, and the younger one laughs at him for being tied to old-fashioned traditions. As a result, they quarrel. Ichinoshin hears that the person he has to take revenge on has become a Yakuza, and in order to get a hint, he takes care of the Otsu family, to which Shinjiro owes, but later discovers that the boss of Otsu Kanemon is the one he is looking for.

An Indian prince leaves his world of comfort and riches behind to wander and meditate for six years in search of spiritual enlightenment. Siddartha (Cojoin Hong) turns his back on the old religion when people are starving needlessly and holy rituals include human sacrifices. During his meditations, he is tempted by erotic dancing women, demons, and the evil machinations of his criminal cousin. Devastate to attain the spiritual perfection and become the Buddha. He travels to convert followers by his kindness and wisdom, gaining a multitude of believers when he stops an elephant from crushing a local priest. Buddha of course goes on to become one of the great religious leaders of the world.

Sentaro (Raizo Ichikawa) from Ipponmatsu sets out to commit evil and gain dignity, but his good-natured nature does not allow him to do anything bad. Along the way, Sentaro saves a young woman named Okimi (Yuko Miki) from a bad womanizer and meets a Yakuza named Katsugoro (Yoshie Mizutani). He then visits Katsugoro boss Kanjiro Inariyama (Ganjiro Nakamura II) to train to be a yakuza, but to his surprise discovers that Katsugoro is Kanjiro's only daughter, Okatsu. He also finds out that the young yakuza working in Kanjiro's house is his younger brother Hanji (Yukio Hashi). Then the Shigezo family, who had been annoying Kanjiro for a long time, set fire to his gambling hall!

One of Japan's most popular stories is the tale of Kutsukake Tokijiro, a traveling gambler who finds that he must take care of the wife and child of a yakuza he had been forced by the code of the gamblers to fight man to man. In a brilliant performance from super-star Ichikawa Raizo, with strong support from two of the greats from Toho, Shimura Takashi (7 Samurai) and Aratama Michiyo (Sword of Doom) the heartfelt story reaches new heights. Tokijiro, having learned the true nature of the boss to whom he was obligated for having spent a night and eaten at the gang's headquarters takes up arms against them in a running battle fought across the back roads of the entire nation. Another powerful rendition of this superb story, it is not to be missed!

The sequel to Daibosatsu tôge (1960) and the second of the trilogy follows the adventures of Ryunosuke Tsukue after he is blinded.

This is the story of a blind masseur who tricks people, steals, and kills; he is the anti-Zatoichi

The exciting story of Jirocho and his yakuza gang that controlled the area of the Tokaido during the latter days of the samurai era. Awesome fighting from Katsu Shintaro as One-Eyed Ishimatsu highlights this great tale taken from Japanese history!

In the early Edo period, among the pirate ships that roamed the seas near Ryukyu and Korea, there was a ship called the Sueyoshi, led by a man known as Misaki Shogoro, who was infamous for his devilish cruelty. Shogoro had a rule: he would kill all the men from the ships he raided, while the women would be distributed among the crew for their pleasure. However, he himself never touched any woman. Aboard the ship was a young girl named Kogane, who had been raised on the ship since she was a child and dressed as a boy. Unbeknownst to others, she had grown to secretly adore Shogoro.

Lord Mito Mitsukuni, the vice-shogun of the whole country, left the family estate and went on a trip to various provinces with his students Sukesaburo Sasaki and Kakunoshin Atsumi. At an inn in Sunagawa, Mitsukuni exposed and punished an evil judge who had fallen in love with a townsman's wife. However, on the night he stayed at Nihonmatsu Castle, Mitsukuni found out that this incident was a performance organized especially for him…

Utaji heard that her ex-lover Seijirou would get married to Ochiyo a daughter of Ise-ya. She murdered Ochiyo and took over the Ise-ya's shop with Hikoroku a head clerk of Ise-ya. Moreover Utaji killed Hikoroku. But...

Suzunosuke faces perhaps his wildest foes. This evil gang is lead by a one-eyed birdman and other demonic creatures.

Film directed by Tadashi Ashihara

First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.

One night in Edo, a mysterious woman in a palanquin appeared at the moneylender Yamashiroya, revealing herself to a beautiful woman. She told the owner, Shigebē, that she had come to collect a life he owed from twenty years ago and then left. The same night, Maruiya Genbē also received a visit from the woman's palanquin, and nearby, a man named Manbē was murdered. The detective Hayanawa Gohē concluded the murder was the work of a fox spirit, but another detective, Den Shichi, skeptical of this theory, noticed footprints on the tatami and decided to investigate further.

In the eleventh year of the Tempō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.

Isshin Tasuke, a friend of Ōkubo Hikozōemon, the esteemed public arbitrator of the realm, saved the maid Onatsu from punishment after she accidentally broke a plate gifted by Lord Ieyasu. Tired of the strict samurai service, Tasuke moved to the Genbei tenements and opened a fish shop. This tenement housed various characters, including the landlord's daughter Osen who had a crush on Tasuke, the midwife Okan, the blind masseur Oyone and her husband, the carpenter-loving couple Yoshigorō and Ohama, the rōnin Takeuchi Yogoemon, and the siblings Ochika and Shin'nosuke who cared for their sick mother.

Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.

In Marugame Domain of Shikoku, a low-ranking foot soldier named Tagami Genbachi was envied for marrying Tsuji, the most beautiful woman in the domain. However, due to a personal grudge held by Horikawa Gentazaemon, the swordsmanship instructor, Genbachi met an untimely and bitter death through foul means within the precincts of the Hachiman Shrine. Due to the domain's oppressive treatment of those of low status, Tsuji, now with her infant son Botaro, was dispossessed of her home and exiled.

In the town of Izu known for its hot springs, Den Shichi from Kuromon Town sets off for a healing trip with his companion, a bamboo craftsman with a nose like a lion's snout, at a time when the town is under a tight security network due to a nearby gunpowder depot explosion. Staying at Tsuruya, Den Shichi and his group are investigated by officials whose behavior seems somewhat odd. That night, a man looking like a craftsman is murdered, and gunpowder residue is found at the scene, prompting Den Shichi to suspect that something is amiss.

An early fantasy film starring Tomisaburô Wakayama.

Fifth film in the 'Travels of Lord Mito' franchise.

Chikuzen, a ronin named Yoh Daisuke, after pacifying some ruffians at the theater of Onna-Kata Ogino Sawanojiki, formed a bond with the theater's bodyguard, Maruhashi Tadayasu, and Kaku, a priest. He ended up settling at the Kasugaya, the house of Oko, whom he had saved. When Oko decided to go to Edo, where her biological father lived, Daisuke accompanied her. Along the way, at Suruga Abe River, they encountered Sawanojiki's theater group, which had departed from Osaka earlier heading to Edo. A scuffle initiated by Tadayasu over a ferry boat with the students of Yui Masayuki but was amicably resolved through Masayuki's intervention.

In 1842, in the Umemoku Mansion within Hikone Castle, Naosuke Ii, despite the tumultuous times, was engrossed in the world of tea ceremony. His friend, the Kokugaku scholar Nagano Shuzen, introduced him to a captivating shamisen master named Murayama Taka. Naosuke became deeply infatuated with her, disregarding the jealousy of his consort Shizu and the warnings of his senior retainer, Gaiji. However, upon discovering Taka's relationship with Shuzen, Naosuke promptly ended his ties with her.

The second film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

Drama about a famous one-eyed, one-armed samurai swordsman of the middle of the Tokugawa period by the name of Tange Sazen. By chance, Tange gets an old pot in which the secret of the treasure of 1000000 ryos of gold is hidden. However, a bunch of different people hunt for the pot and Tange will have to apply his phenomenal fencing skills with the sword.

film directed by Tai Katô

Japanese film.

A village struggles to survive when the nearby lake becomes barren of fish.

Film about Ghost-Cat.

Shogi, a Japanese form of chess, is a game that requires skill and determination. When poor sandal-maker Sakata decides to pursue his dream of becoming the Shogi Grand Master Champion, everything is at stake – including his family. What will it cost for Sakata to follow his passion?

1947 Japanese movie

A 1946 Japanese film directed by Keigo Kimura.

A lowly drunken samurai finds an abandoned baby in the woods and takes it home. A gift from a fox. But there's something special about the boy.

1945 Japanese movie

Directed by Daisuke Ito.

A story about Ômura Masujirô

A quintessential example of the period "ghost cat" (bakeneko or kaibyo) movie, this was one of at least six such titles released by the studio Shinko Kinema between 1937-40 featuring Japan's first scream queen, Sumiko Suzuki. Here she plays Mitsue, the possessive onna-kabuki actress betrothed to apprentice shamisen player Seijiro. When one day Okiyo, a beautiful young girl of samurai class, is led to Seijiro's house by his lost cat Kuro, she becomes besotted with him. Dark jealous passions are invoked in Mitsue, which are intensified when Seijiro gifts Okiyo his precious shamisen. The cat is the first to suffer at the end of Mitsue's hairpin, but returns from the grave to assist Okiyo's younger sister Onui avenge her sister's murder.

Based on Soseki Natsume’s 1908 novel of the same title, Poppy is an ornately complicated story of desire and ambition. Fujio is beautiful, talented, well-heeled, and engaged to Munechika, a rising young diplomat. She has promised him a gold watch, a family heirloom, as an emblem of their engagement. But she falls in love with Ono, a student employed to tutor her in English, who is attracted by her beauty and wealth. Ono is himself bound by an engagement to Sayoko, the daughter of his mentor, Professor Inoue. The self-centered Fujio is ready to forsake everything for Ono, but he is prevailed upon to go ahead with his marriage to Sayoko. Fujio then offers the watch to Munechika who, perceiving Fujio’s true feelings, hurls the watch into the sea.

Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao

Adaptation of the novel by Osaragi Jirō.

Directed by Daisuke Itō.

A lost film that tells a story of Jirokichi, a notorious thief

Jirokichi the Rat is a notorious thief. While on the run from the law, he discovers an unexpectedly honourable side of himself, and maybe some form of redemption.

A lost film telling a story of Jirokichi the Rat, a notorious thief

A Japanese silent film

Silent Japanese film.