La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

The concern of a group of people to avoid the sale of the Barcelona pension where they live is altered by the appearance of Dabashree, an Indian woman, and her 8-year-old son. The mysterious mission that Dabashree takes to Barcelona will awaken the curiosity of the inhabitants of the inn until an unexpected event will cause the woman to reveal her secret.

In Spain, a couple of days before a collective gay wedding, the lives of five mothers, whose sons will get married, are entwined: Judge Helena is in charge of the ceremony; the entrepreneur in hotel business Magda is hosting the guests in her hotel and is responsible for the banquet, while facing a strike leaded by her lover and chef; the nymphomaniac Nuria is facing problems due to her disease; the wealthy Reyes is having a crush for the father of her son's mate and her gardener; and the Argentinean cooker Ofelia is facing financial problems and difficulties in with her son's mate. Along three days, they have complicated relationships with their sons and mates, ex-husbands, lovers and employees.

Manuela de Fora, an elegant woman, widow of Pajares, lives with the sole obsession of marrying well her two daughters from her second marriage, Concha Blanca Jara and Amparo. She also has Juanito, son from her first marriage, but she despises him for wanting to be a merchant, like his father. Who really appreciates the laborious Juanito is his uncle Juan, a man of austere habits that blames his sister Manuela for wasting money to pretend being of high social position.

"Dama de Porto Pim" tells the story of a rich woman who arrives at a little Portuguese island while her husband is in the II World War; there, a humble fisherman, promised to marry a girl of the town, falls in love with her, and she will also fall in love with him, but his husband could come back.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Lola's a single mom, broke, working as a janitor and maid. Silvia is pregnant, and her lover (her boss) won't leave his wife. Maite, newly a widow, discovers she's penniless but wants to maintain appearances and give her daughter a fancy wedding, and Pecholata, a punk kid living in a youth center, will soon be turned out on the streets. Lola, who cleans a bank every morning, decides to rob it, convincing the others to join her: they'll use replica guns, dress as men, take Silvia hostage, and all will be smooth. But things go awry, including the fact that Lola's ex, Gustavo, is a cop. Desperation may be the mother of invention - and a corrupt bank manager its father.

Diego and Clara have met recently and suddenly have the urge to live together. Afterwards, They find a house to live in. However, strange things start to happen.

Barcelona in the 1930's: with extreme makeup and outlandish clothes, "La Moños" (Julieta Serrano) is a mysterious character of Las Ramblas. Pepi, a girl of nine years, is fascinated by this extraordinary woman. Using her imagination, and collecting the stories she has heard, passionate Pepi reconstructs the life of "La Moños".

Crista, Berta and Sole, are three young people who feel exploited and discriminated by society.

Cousins Thomas and David, owners of a mobile restaurant, team up with their friend Moby, a bumbling private detective, to save the beautiful Sylvia, a pickpocket.

Film adaptation of a real event that occurred on May 23, 1981, in which a TV broadcaster, director of a major newspaper, and a deputy were involved