Lila, grows up in the high-rises of the Marolles in Brussels. Along with her sister and her friends, she dreams of becoming a dancer and revolutionising the world of hip-hop. While her friends stay in Brussels, Lila leaves everything - comfort, family - behind to go to Paris, where she is certain her persistence will pay off. Except that life in Paris quickly takes an unexpected turn. The woman who dreamed of being a choreographer ends up as a lap dancer in a rap video, and that’s only the beginning of her disillusionment. After a chance meeting with a drama teacher, she bears her heart and soul on stage and begins doing stand-up. This time, her unusual dedication leads her to find her calling. However, she still has to fight one final battle: convincing her father that she has made the right choice.

Charts the trials and tribulations of Ana, a free-spirited 26 year-old returning home to Strasbourg for the summer after living abroad for long enough to feel out of place everywhere.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

In Lille, Claire Gauthier is an ordinary married woman with a young daughter that works in an insurance company analyzing losses of insured properties. When the single veterinary Laurent Kessler claims damage in his basement caused by a flooding due to water leakage, Claire resolves the situation favorably for him. The weird Laurent visits Claire in her office successively, inviting her for drinks and lunch, and they get close to each other. Meanwhile, a serial killer is terrorizing Lille, killing women with a scalpel. Claire feels a great attraction for Laurent, who has an unusual behavior in her apartment. When Claire sees a scalpel in the pocket of Laurent's jacket, she fears him, but still loves him.

The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…