Sofiane, the son of a former Algerian diplomat, has travelled a lot. Having moved to Lyon for his studies, he is the victim of an administrative decision and lives under constant threat of deportation. In the hope of regularising his situation, he agrees to work for a Muslim funeral parlour. Between parties, encounters and his job, Sofiane finds himself on a journey of initiation that will lead him to build his own identity and gradually move towards adulthood.

In 2043, Melissa, a young eco-worker, sails the Mediterranean Sea on her smart boat the Rainbow, with her trained dog Cham. As she collects mass of drifting plastic waste, she sorts and trades this material on the global recycling market. One day, she saves a baby monkey from drowning, and takes him on the boat. This encounter will change the path of her life.

See You Garbage! is a dramatic comedy that resembles a revolutionary tale. An attempt to explore the encounter between the well-coated contempt of the political class and a sudden awareness of its people.

Frankie Wallach, 25-year-old director, is fascinated by her grand-mother Julia, 94 years old, her death camp survivor story and her joyful personality. She wants to immortalize her as an heroine of fiction for her movie but it's without thinking about the other members of the family, who will want to be a part of it. At the Wallach's, everything is... FULL OF LOVE !

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

Jackson, a young aspiring writer, goes to the South of France where he encounters a group of young French people who change his outlook on life.

At the beginning of the 70s, Jean Genet is in Tangier, he is in his sixties and he no longer writes. He lives in the El Minza hotel, a palace, where he spends entire days reading, smoking and sleeping (he takes Nembutal, a barbiturate used as a sleeping pill). He only goes out at the beginning of the afternoon to have a coffee with milk in one of the bars of Petit Socco. He sometimes meets the young Moroccan writer Mohamed Choukri there. Their discussion is banal, friendly. Sometimes they talk about literature. Genet no longer writes, but is still inhabited by it.

Maxine is an intern at a car workshop. She works hard toward full-time employment. The reality of the world of work grounds her in her reality: being a woman in a man's world.

The mood is heated. Demonstrations are taking place across France, also in front of the Paris hotel where an Italian named Giorgio is booking the bridal suite for him and his boyfriend Antonio. Hotel manager Diana doesn’t trust them and calls the police to get rid of the odd couple. Italians? Homosexuals? Criminals? In the charged atmosphere of the Hotel Occidental, little is needed for initial suspicions to be aroused.

Leila, who is singularly androgynous, works at a casino in a predominantly male environment. A croupier by night, she returns to her hotel in the early hours of the morning, while Camil, who occupies the room next to hers, disappears at dawn.The first time she sees him, he is leaning at his balcony, his appearance distraught and tears welling up in his eyes.

For this 11th edition, the brilliant Valérie Donzelli demonstrates all her attachment to youth by associating her talent with the 34 Revelations 2017. A true surge of poetry and romanticism, Valérie Donzelli's cinema touches, disconcerts and makes us feel furiously free.

After a group of Parisian youths pull off a deadly terrorist attack, they decide to shelter for a night in a shopping center.

David and Eliab, two apprentice jockeys, get to know each other through admiration, rivalry and jealousy.

Every year since 2007, the Academy of Cinema Arts and Techniques highlights thirty-two young talents through the “Révélations” project, directed this year by Antoine Carlier. This talented and visionary photographer was able to magnify each of them by offering an elegant and very cinematic staging, through the lens of his camera.

While thousands of tourists invade the beaches, camping grounds and clubs, five teenagers from Porto Vecchio hang out. One evening one of them leads the others to an unoccupied luxury villa. They spend the night there. Before they leave, they steal some objects of no value and two prize rifles. When the house owner arrives from Paris, she complains about the theft to a small local boss she knows…

In the heart of their hood, Lola and Moha are staggering home. On their way, they come across a car, the lights are on… as if someone had forgotten to close a door. The opportunity seems too good, Lola convinces her lover to do it. Moha finds the keys in the glove compartment. From that moment on, it’s the great disinhibition of ambitions; how far will they go with this “borrowed” car full of gas? Why not trade their suburb for the sea?