What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.

A look back at the social movements, revolts and youth subcultures from the post-war period to the present day: after the World War II, the left-bank of Paris became a mecca for jazz and alternative living, youth culture was born with trailblazing American movies, and rock became the soundtrack to a generation that wanted to change everything.

A worker in a big city who feels uncomfortable around women meets a sex worker, and in an attempt to overcome his hesitations, he discovers his sexuality.

30-year-old Djemila, a single jurist, at last has her own apartment... a few steps away from her parents' place. A French woman of North African extraction, she does everything she can to hide her origins. Emma, her nutty and broke neighbor, struggles to raise her two children alone. Although these two women have nothing in common, a deep friendship forms between them because of their mutual love of music.

Taratata was a French TV show showcasing live and pre-recorded footage of current rock acts. Presented by Nagui since its début in 1993, the show was initially shown on France 2. The show often involved surprise and unlikely duets, as well as brief interviews with the artists. Taratata was cancelled in 2000, but returned in April 2005 on the public French network France 4 once a week on prime time, France 3, and late night once a month France 2 and Virgin Radio. Artists including Devendra Banhart, Katie Melua, and Ayo made their French TV debut on the show. The show's chief lighting technician, Jean-Philippe Bourdon, was awarded two Sept d'or in 1994 and 1995. The show featured unique duets and highlights new artists and uses different presenters for each episode. These aspects, and the general emphasis on original music, led the Conseil supérieur de l'audiovisuel to identify Taratata as a uniquely creative show on French TV in April 2009. The show aired throughout Europe on TV5MONDE Europe on Saturday nights. The show is also franchised to Dubai Television in Arabic with an almost identical format to its French counterpart. On 31 May 2013, France Télévisions announced that the show was cancelled. Despite the announcement, the show will continue in a web only format and that a concert will be oragnized at Zénith de Paris on 10 October 2013. The last show was recorded on 13 June 2013 and was broadcast on 12 July 2013.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).