On her 64th birthday, Zoe, a lonely, widowed Cuban exile, is about to become a grandmother. She is also about to receive an unexpected visit. After more than forty years without seeing each other, Helena, her childhood best friend, returns to catch up and explore their lives through songs, letters, and memories from their past. Without imagining that this reunion will change their lives forever, when a secret comes to light, they both have to reconsider their relationship.

The relationship between Eric and Stephanie is floundering. They decide to leave for the Republic of Santiago to visit the famous ruins. Once there, they learn that a serial killer rages on steep roads of the region, eliminating drunk drivers.

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

The king desires nothing more than a male heir. But his wife gives birth to a girl Fantaghiró. When she refuses to marry years later, she is sent in the forest where she learns how to ride and fight like a man. She appears disguised in a duel with Prince Romualdo, the son of her father's adversary. Both fall in love, but their marriage brings no peace to the united kingdom. Evil forces are trying to seize power.