This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.

Alan Bennett's debut play for television follows the members of a Halifax cycling club, on an outing from Halifax to the ruins of Fountains Abbey. Set in the summer of 1911 and projects an idyllic vision of Edwardian England .

A sightseeing portrait of New York, with lively narration taking the viewer aboard the New York elevated and subway trains. Then the view from the windows becomes slightly abstracted, the voice of the commentator becomes uncertain. Featuring Joseph Cotten (credited 'Cotton') Virginia Nicholson Welles, John Becker and Edwin Denby.

A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death? The Hearts of Age is the first film made by Orson Welles. The film is an eight-minute short, which he co-directed with William Vance in 1934. The film stars Welles' first wife, Virginia Nicholson, as well as Welles himself. He made the film while attending the Todd School for Boys, in Woodstock, Illinois, at the age of 19.