A caustic satire of many of the 'types' found in Spanish society.

1996 Spanish horror film that is the eleventh in a long series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. Following his near-fatal heart attack in 1991, Naschy made this film as an intended comeback, but it was poorly distributed and received bad reviews.

Ana, a girl who is about to get married, discovers in her boyfriend's house a photograph in which her mother, dead at birth, and her future father-in-law appear in a very affectionate way.

The film follows the adventures of several couples in Spain in the early 70s, whose stories intermingle: Luis is an unfaithful husband to his wife Juana, Felipe is a plumber who seeks extra-spousal adventures to hidden from his wife, Rosario, who works as an assistant. Ramón is a pathological jealous whose obsession is that his girlfriend Charity confess the hypothetical adventures he had with other men before meeting him, Irene is a jealous wife of her husband, Carlos, whose professional life gives him numerous opportunities for infidelity, Domin he is a pimp who frequents the brothels of Madrid .

Peter is a widower who writes crime novels, signing as Peter P. Peter, and is about to marry Beatriz (Analia Gade), a widow who proves to be a ruthless woman who makes his life miserable. As an expert in inventing crimes committed by his characters, he imagines a plan to get rid of his new wife. The trouble is that she also plans to kill him.

A young woman who wants to marry an earl's son wants to refine the habits of their parents, people from a village that has been enriched in the overnight by selling their land.

Peralejos, a quiet village in Upper Aragon, is a place where nothing ever happens. One day Angelino returns home to spend the holidays, an immigrant who drives a Mercedes and tells great wonders of Germany and their women. Pepe, fascinated by the stories of his friend, decides to immigrate, but his dream begins at five o'clock, cleaning windows, and ends at twelve o'clock pasting posters.

Tania, an asylum patient, is under the doctor's care while suffering raging behavioral effects that follow the death of her exorcised mother.

An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.