The story of a little elephant with a very long trunk.

A determined student from Chicago is forced to fulfill the last wish of his ailing grandfather. He has to travel to Odessa, Ukraine, and bring back his grandfather's cat.

A nugget from Russia is hiding from the police in a Dutch prison.

A middle-aged magician Pyotr Tarasov vegetates in the circus, receiving a meager salary. But he is a magician, he has a professional family secret: he can take out of a hat not only birds and rabbits, but also any amount of food. To use his opportunities, on the advice of friends, he opens a restaurant. Can a poor sorcerer become a prosperous businessman?

The film tells about the engineer Gorelikov, who, together with his disabled friend, opens a salon with computers for children and students. And suddenly they are attacked by a gang of racketeers.

About amusing adventures of the young blunderer Yankel during World War II who survives thanks to the sluggishness. The hired legionary he is taken prisoner, will pass across Sicily with the army of allies and it will appear in Indochina. And everywhere he will be accompanied by glory.

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

Crimea, 1919. The White Guards are preparing a trial of the revolutionary Antonina Chumak. Sailor Kuskov, Cossack Dmitry Chumak and card cheater Fedor Chumar arrive in the city to save her.