Two detectives are assigned to solve a series of grisly murders of children. However, when their investigation leads them towards someone in their own squad room as the killer, the female detective edges on a total breakdown as she loses faith in her fellow officers. The film explores the decadence and corruption that exists in the police force.

Correlli was an Australian television series first broadcast by ABC TV in 1995. It starred Deborra-Lee Furness as prison psychologist Louisa Correlli. The series also featured her future husband Hugh Jackman in one of his earliest roles. The first episode entitled "The Rat Tamer" has been released on to DVD. The creators and Associate Producers of the show were actress Denise Roberts from the ABC's G.P., and Carol Long. Roberts also played the role of prison warden Helen Buckley in episodes four and five.

Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne's HM Prison Pentridge's maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he's subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

Filmed in the Clare Valley, Gladstone and the Flinders Ranges in South Australia, this prison movie was inspired by the true life prison riot at Bathurst Jail in 1974 and its subsequent Royal Commission into New South Wales Prisons.

In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.

Dorothy is a sixteen-year-old groupie riding with a rock band when, suddenly, the van is in a road accident, and she hits her head. She wakes up in a fantasy world as gritty and realistic as the one she came from and learns she killed a young thug in the process. A gay clothier called the Good Fairy gives her a pair of red shoes as a reward to help her see the last concert of the Wizard, an androgynous rock singer. She is pursed by the thug's brother who attempts to rape her on several occasions. She also meets a dumb surfer, a heartless mechanic, and a cowardly biker.

Four young heroin addicts scour the streets of Melbourne in search of some good-quality narcotics – or as they call it, 'pure shit’. In the space of 48 hours, a friend dies of an overdose, they are ripped off by criminals and arrested and assaulted by police. They bungle a break-in, get chased by hooligans and one is sent to a methadone clinic. The search for drugs veers between farce and tragedy, but it never stops.