Thomas has to take over his wife's job of conducting the family orchestra. Two fateful days intertwine. Both are imperfect, unpredictable, and beautiful in their very own way. In these two days, Thomas is confronted with 3 vital things.

40-year old political leader Birgitte Nyborg secures her party a landslide victory through her idealism and huge effort, then faces the biggest challenge of her life: how most effectively to use the newly won seats, and how far she is willing to go in order to gain as much influence as possible.

Andreas is warned by a mysterious stranger that his best friend Jannik is in danger. That's all he remembers from his night on the town last night. Was it something he dreamed? When the pieces start to fall into place, he realizes that everything he does is helping to facilitate his friends tragedy. with a circular approach to time, 'The Day After' plays with the idea of causality and the difficulties of accepting wrong doing.

I 'Anja og Viktor – I medgang og modgang', den femte Anja og Viktor-film, er parret kommet i pengemangel. De bor sammen med deres lille datter i vennernes ramponerede øvelokale i Sydhavnen, men da kommunens ivrige mand afslører dem i at bruge øvelokalet som bolig, og de nu regulært står på gaden, hvis de ikke skaffer penge til lejligheden, er familien i en presset situation.

Finally, Viktor becomes a fireman, while Anja still do not have the great success of the advertising agency. Fortunately, they have each other and everything is bright as Anja gets a great opportunity at the office while being pregnant. Then Viktor just figure out how to be soft father, understanding man and tough firefighter at once. But how hard can it be?

A Vicious Undertow offers a dreamlike narrative—a vision from a stylish, black and white world where music is a language and fabric patterns enhance the mood and define character. Despite the film’s mysteries, and how much it leaves to our interpretations and imaginations, Just bases his work in real emotions, finding every kind of expression in his actor’s faces, hands, and bodies. Resisting this enigmatic story becomes more difficult with each longing glance, haunting melody, and swooning turn of the camera.

The film is based on Christian Kampmann's novels: "Certain Considerations", "Solid Relationships", "Clean Lines" and "Other Ways" (1973-75). The Gregersen family is a picture of inner and outer Denmark from the mid 50's to the 70's. The story begins in 1954 in the well-behaved, but not just successful, Gregersen family from the best part of the whiskey belt on the right side of Strandvejen.

An older man begins dancing in a public square, oblivious to the laughing gawkers who pass by. He seems to want to engage the attention of a young man sitting on a bench who begins weeping. A group of youngsters mimics and mocks the dancer. He's oblivious to them. The music is a sprightly tune that Fred Astaire might have used as he enticed Ginger Rogers into his arms. And didn't he do a lot of dancing in the streets in his movies? Nobody laughed at him. But, of course, he was only on a pretend street in a Hollywood soundstage. We know this is also a setup. Still, it's embarrassing. They're making public displays of themselves. The man, expressionless, continues to dance. The other man continues to weep. One kid starts taking the performance seriously and joins in the dance as a sort of pas de deux. Both men ignore him. And then it's over. We don't know why it began or ended. Courting ritual or celebration of self, it's unclear. (UbuWeb)

An adaptation of Christian Kampmann's four novels about the two decades from 1954 to 1974 as experienced by the five sons and daughters of the Gregersen family.