The director has intertwined an old amateur film, shot about the Kosztolányi-family, with the adaptation of three short stories of the author. Just like the actors of the amateur film, the main characters of the three short stories are making desperate attempts to appear easy-going and self confident in the eyes of the world. In the hero of Key, the father who at home appears to be an unapproachable, important person, is suddenly revealed to be an insignificant and humiliated office clerk before his son. In Bathing, it is the severe, "tough guy" father who does not know himself and is therefore depressed and causes an irredeemable, tragic accident. In China Vase, the important guest invited with great reverence breaks into pieces the only treasure of the poor clerk couple with a nonchalant gesture. Yet, there is hope: after many years, the woman tells the mystically enlarged story with appropriate self-irony.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

A murder has been committed in a block of flats in Pest. Almost all the dwellers of the building behave in a suspicious way at the beginning of the investigation, although it is their everyday lapses they try to hide. In spite of the janitor's unpleasant comments, light is gradually thrown upon the case.

Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.

"Are you looking to buy a car? Not sure which one to buy? Clueless? We can solve all your problems. Watch our latest film! All your problems will be solved because we'll talk you out of them for the price of a single ticket." - says the comedy's obliging narrator (Ervin Kibédi), who tries to talk the viewer out of buying a car. To do this, he tells the audience some instructive and humorous car-related stories...

Sándor is loved by his wife, but they cannot have children. He is already tired of his marriage.

The grey hero of grey workdays, the divorced cashier of a cinema who is always willing to sacrifice herself for others, Etelka, is awarded a two-week-holiday at Lake Balaton. Following the advice of her female friend, she tries to live life at full speed.

Most of her colleagues take Mária, the new teacher to be a communist party-worker, only Irma and the drawing teacher Zoli treat her kindly. Mária starts working with great enthusiasm, and her class learns to love her in a short time.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

Panni, coming from a landless family of ten and Miska have loved each other for a long time. The pretty Panni, however, has another suitor as well: Komáromi, the big farmer. The two men fight from time to time, but then, during the time Miska is serving his military duty, Panni marries Komáromi to end the tremendous squalor of her family.

One day, Máté Galamb loses his faithful dog, Bogáncs, of the Puli breed. The runaway dog is found in the woods by the old, disillusioned acrobat, Dodó.

The film is an interpretation of everyday life and privacy as well as the first love-triangle story after 1945. Benkő Lajos, the country librarian, is stationed in the capital. In lack of a suitable apartment, his wife and children have to stay in the country.