Two misfits, Snag and Rawhide are chosen as the new sheriffs in a strange town adrift in an ever-moving dust cloud. Long Gone Gulch holds the inhabitants of myths, urban legends, and folklore from around the world. The pair trying to keep the peace travel through Long Gone Gulch and experience many different adventures along the way.

Lead singer Oderus Urungus loses his murderous-mojo prompting the rest of the band to embark on an Antarctic quest for the cure.

This is not your average cartoon show.

An animated show about adventures in the advertising world.

A lot of crazy shit went down in "railroad times." Here are just a few important tales. By Kelsy Abbott.

But what happened when The Breakfast Club grew up? They opened a motel and became The Bed & Breakfast Club.

This here is a cartoon I wrote for the Sarah Silverman show y’all! Same team as on all the short cartoons I wrote and directed for the Sarah show. The Fantastimart characters were designed by Rob Schrab. He’s great. He should design more things. I guess he just doesn’t have any time.

The existence of Channel 101 led to a show on VH-1 called Acceptable.TV. Director/Actor Drew Hancock wrote a mini-show for Acceptable.TV about the dangers of swords, but VH-1 hated it so it was never produced. Now, in the post-ATV era, Hancock has brought the show to the Channel 101 audience to great success. Sit back and enjoy as Trip Fisk warns you of the dangers of owning swords, and always remember: Don't Fucking Touch Swords.

Sarah Silverman plays a character named Sarah Silverman, whose absurd daily life unfolds in scripted scenes and songs. With her sister and her gay neighbors by her side, Sarah always manages to fall into unique, unsettling and downright weird predicaments.

Sarah Silverman plays a character named Sarah Silverman, whose absurd daily life unfolds in scripted scenes and songs. With her sister and her gay neighbors by her side, Sarah always manages to fall into unique, unsettling and downright weird predicaments.

Mharti's kite is stuck in a tree and Doc must help him retrieve it by getting--well... it's a Justin Roiland pilot so there are a lot of balls in it.

A magical tale starring Justin and Myke.

Losting was a phenomenon of videos made by alumni of Channel 101

The Musical broke a longstanding set of unwritten commandments at Channel 101: thou shalt not reference other shows, thou shalt not reference Channel 101 itself, thou shalt especially not admit, on camera, that Channel 101 makes you happy, let alone sing about it. Nevertheless, what it lacked in humility and aloofness, it made up for in devotion, boldness, friendliness, heart and some seriously catchy tunes. Add to that the fact that they bothered to conclude their own story with a tearjerking finale, and you have a masterpiece of meta-tainment and a permanent addition to Channel 101's gilded hall of fame.

Rock Gods, as a followup to the much loved but short-lived S.O.S. Fantome, officially established The Valley Pals as recognizable, bankable talent within the 101 universe. The second episode in particular felt like a group of young writer/performers truly finding their own unique voice, after which point it's easy to imagine that the tedious chore of animating this show became less attractive. Having realized that they could probably get just as many votes for one tenth the labor, The Valley Pals voluntarily retired their own hit show by going over the time limit in a very memorable fourth episode.

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

Rock Gods, as a followup to the much loved but short-lived S.O.S. Fantome, officially established The Valley Pals as recognizable, bankable talent within the 101 universe. The second episode in particular felt like a group of young writer/performers truly finding their own unique voice, after which point it's easy to imagine that the tedious chore of animating this show became less attractive. Having realized that they could probably get just as many votes for one tenth the labor, The Valley Pals voluntarily retired their own hit show by going over the time limit in a very memorable fourth episode.