A movie about a dysfunctional family of vampires and witches, it is mostly focused on the two children who are hybrids.

Four close friends descend into the depths of a cave, looking for a lost treasure, ignoring that this will wake the fury of the Guardian the devourer, who will eat their souls until they destroy each other.

When his dancer partner, Mia, lands in the hospital after an accident, Armando persuades her to train for an upcoming wheelchair ballroom dancing contest.

A young Russian woman, smuggled into America by human traffickers, and a notorious Egyptian transporter hired to drive her from the Mexican border to New York City, form an unlikely bond that transforms them and threatens to derail the traffickers' plans.

Based on a true story, 'Under Jakob's Ladder' is a full-length feature film that takes place in the Soviet Union during 1938. Jakob, a former teacher who lost his job due to the new Communist system, can only stand by and watch as the world around him slowly disintegrates and fear and suspicion rule the day. Like most of the men in his village, he soon finds himself in a Soviet prison. But it is there that he discovers that the freedom he craves might actually be found within the walls of his cell.

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

A romantic comedy about a group of ham-radio enthusiasts who, assuming they will never meet, exaggerate their identities on the airwaves. But things start to get complicated when two of the group fall in love with each other's imaginary personas, especially when they have to meet face-to-face and find themselves trying to live up to their fictitious alter-egos.

Adam Verver, a US billionaire in London, dotes on daughter Maggie. An impecunious Italian, Prince Amerigo, marries her even though her best friend, Charlotte Stant, is his lover. She and Amerigo keep this secret from Maggie, so Maggie interests her widowed father in Charlotte, who is happy with the match because she wants to be close to Amerigo. Charlotte desires him, the lovers risk discovery, Amerigo longs for Italy, Maggie wants to spare her father's pain, and Adam wants to return to America to build a museum. Amidst lies and artifice, what fate awaits adulterers?