Helen, 30 years-old, decides she is going to change the rest of her life. Her biggest mistake, she asks God for some precious help.

In this romantic police comedy, after a luxury hotel is robbed by four of its employees, the lives of all people involved are turned upside down. With different motivations, they will do all they can not to be discovered, bringing all sorts of conflicts into the hotel. The confusion escalates when the detective trying to solve the case falls in love with one of the robbers, unaware he is one.

Livia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.

Bruno is a young film editor who has just broke up his marriage with Regina, and returned living in his mother's house. Drowned in deep sorrow, something very weird happens in his life: people around him are gradually disappearing. But only for him. Some kind of blindness.

After her daughter's death, Rita returns to the African country of her childhood to investigate the death of Yvone Kane, a former political activist and guerrilla fighter. There, she becomes embroiled in a journey into the past of a land haunted by war and evil.

Biographical film of Sister Dulce, who, in life, was called the “Good Angel of Bahia”, also nominated for the Nobel Peace Prize and canonized by the Catholic Church. Contemplating from the 1940s to the 1980s, the film shows how the Catholic nun faced an incurable respiratory disease, machismo, the indifference of politicians and even the dogmas of the Church to dedicate her life to the care of the miserable, leaving a legacy that continues today.

Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

An inheritance of millions brings the fun-loving Charlô (Irene Raveche) and her bad-tempered cousin Otávio (Tony Ramos) closer than they ever expected. The inheritance, which includes a mansion and a chain of clothing stores, stipulates that the assets remain in the family. And since no one is willing to give up their part they decide to share the mansion and the business, despite the mortal hatred they harbor for each other. Charlô’s adopted son Felipe (Edson Celulari) also becomes caught up in the situation. However, he turns against his mother and becomes Otávio’s right-hand man at the company.

Passíone is a Brazilian telenovela that originally aired on Rede Globo from May 05, 2010 to January 14, 2011. Is created and written by Sílvio de Abreu. The plot has the actors Fernanda Montenegro, Tony Ramos, Mariana Ximenes, Reynaldo Gianecchini, Carolina Dieckmann, Rodrigo Lombardi, Marcello Antony, Larissa Maciel, Werner Schünemann, Mayana Moura and Aracy Balabanian in the leading roles. Replacing Viver a Vida, it premiered in May 05, 2010 and ended its run in January 14, 2011 consisting of 209 episodes.

Dóris is a widow and keeps a small restaurant in Belo Horizonte, Brazil. Two of her customers, the old friends Freitas and Otávio, fall in love with her, and start competing for her affection.

A light-hearted and high-spirited story, full of spice, sensuality and romance, Viva Zapato tells the tale of Dolores, a beautiful Cuban dancer who decides to leave her failing marriage and open a restaurant by the beach with her aunt from Brazil. When her aunt sends her a pair of shoes instead of the money to start up the restaurant, she angrily sells the useless gift for spare change. Her dream fades away - until she discovers that the money was hidden in the heel. The zany search for the shoes begins, as she follows the footsteps through the lively streets of Havana, running into the quirky, colorful characters that bring Viva Zapato and Dolores' dream.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

A group of friends in Sao Paulo see each other regularly in different venues of this huge metropolis, and act as their own de-facto family. They are similar in many ways, all upper middle class professionals between 28 and 32 years of age, and very conscious of their psyche and lives. The diversity within the group however, is also remarkable. It's made up about half men and half women. The men are the most diverse, ranging from your average guy looking for love to an Afro-Brazilian womanizing rich playboy, to a conflicted homosexual, heir to a business empire. It is the friendship (Amizade) and bond between these people that the film exposes, and at the same time it explores the different personalities of this apparently homogeneous, but actually psychologically diverse group of Sao Paulo yuppies. They stick together "'til friendship should ever separate them"

Suave Veneno is a Brazilian telenovela produced and aired on TV Globo in January 18 to September 18, 1999, in time from 21 hours, a total of 209 chapters. It was written by Aguinaldo Silva with help of Angela Carneiro, Maria Helena Nascimento, Felipe Miguez, Fernando Rebello and Marilia Garcia. The telenovela was directed by Marcos Schechtman, Alexandre Avancini and Moacyr Goes with the general direction of Ricardo Waddington, Marcos Schechtman and core Ricardo Waddington and Daniel Filho. It was played by TV Globo International in 2007 with a total of 140 chapters. There were 130 episodes of the version shown on Portuguese television. Featured José Wilker, Glória Pires, Irene Ravache, Letícia Spiller, Patrícia França, Ângelo Antônio, Luana Piovani, Tarcísio Filho, Vanessa Lóes, Nívea Maria, Betty Faria and Rodrigo Santoro in lead roles in the plot.

A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.

A series of murders begins to haunt Cordilheira, a small town near São Paulo, Brazil. The investigations show there is a love triangle involved.

A German governess is hired to give German and piano lessons to the teenager son of a rich traditional family, in the 20s. But soon they get involved, and she teaches him love lessons instead.

Set in an imaginary world where gender stereotypes are inverted, that is, women occupy positions of power while men are raised to be socially submissive. Emerging issues are addressed, not just machismo, but racism, classism and corruption, rooted in the patriarchal culture of Brazil and the world.