Hoyle, a girl with a sharp mind and a weakness for bourbon, finds herself on the trail of a reclusive genius. Along the way, her reality becomes disconnected and surreal. Her loyal partner and an ethereal lounge singer help her along the way, but ultimately she must turn within and confront her own shadow.

While on detention, a group of misfits and slackers have to write a letter to the President explaining what is wrong with the education system. There is only one problem, the President loves it! Hence, the group must travel to Washington to meet the Main Man.

After a film student gets his belongings stolen, he meets a mobster bearing a startling resemblance to a certain cinematic godfather. Soon, he finds himself caught up in a caper involving endangered species and fine dining.

Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.

A television news chief courts his anchorwoman ex-wife with an eleventh-hour story.

A truck driver builds a special, eight-ton monster truck to help get revenge against the rednecks who killed his family.

"The Way It Is," a Sunday night one-hour show, aired from September 1967 to June 1969. Under the executive production of Ross McLean, following the success of similar CBC programs, it attracted up to 60 contributors, aiming to challenge viewers with compelling content. Hosted by John Saywell and Barbara Frum, who honed her interviewing style here, it featured Patrick Watson, Warren Davis, Percy Saltzman, Ken Lefolii, Peter Desbarats, and Moses Znaimer. Segment producers like Perry Rosemond and Peter Herrndorf worked on the show, which covered diverse topics via studio interviews, music, commentary, panels, and documentaries. While not pushing controversy, it contributed to national dialogue. Notable productions included documentaries on airline safety and Vietnam, setting a serious tone for its era. Its influence extended to later CBC shows like the fifth estate and The Journal.