Antonio, a representative of medical supplies with no success, finds a brilliant way to present himself to the customers and improve his sales: the special tiramisù (an Italian dessert) made by his beautiful wife Aurora.

Ruthless businessman Luciano reconnects with his estranged family from a previous marriage, only to use their youngest son, awkward and starry-eyed Baldo, as the fall guy for his failing endeavor.

An intellectual encounters a youth group that seeks social change.

Alex is a trans girl searching for her identity. Alex removed her male side, that of his childhood, because he lived a very painful adolescence...discrimination...harassment and bullying. Thanks to an analytical and introspective pathshe regains the memory and awareness of herself, boy, recovering that part male had completely erased.

Dir. Stefano Calvagna’s third feature is inspired by the real events in the life of Luciano Liboni, aka "The Wolf." A freewheeling interpretation of the character, here renamed Franco Scattoni (Massimo Bonetti), the film highlights the ups and downs of a rough and violent man, whose behavior borders on madness and is worsened by epilepsy. Il Lupo feels he has nothing to loose. Diving headfirst into a life of crime, he ends up killing a gas station attendant in Perugia in 2002. He then kills a young "carabiniere," and becomes a wanted fugitive. A case study in human behavior’s violent patterns framed as a psychological thriller and police story, this controversial film has been praised for the uncompromising realism of its disturbing narrative.

A story set behind the scenes of the annual Miss Italia pageant, with its load of young girls and recognizable characters.

Two stories run on parallel lines in a nocturnal Rome. Marcello is an easygoing sixty-five-year-old film producer trying to convince a beautiful actress to accept a part in a film. The other protagonist is a group of petty criminals and illegal immigrants who pass the night stealing, taking drugs, having sex and drinking. Marcello talks about his experience working with Fellini and Mastroianni during the wonderful years of DOLCE VITA; this strongly contrasts the city experienced by the immigrants.