Mark Horton

Mark Horton

Mark Chatwin Horton, FSA, (born 15 February 1956) is a British maritime and historical archaeologist, television presenter, and writer.

Movies for Mark Horton...

The Lost Colony of Roanoke: New Evidence
Title: The Lost Colony of Roanoke: New Evidence
Character: himself
Released: May 8, 2022
Type: Movie
In 1587, more than 100 English colonists settle on Roanoke Island and soon vanish, baffling historians for centuries; now, experts use the latest forensic archaeology to investigate the true story behind America's oldest and most controversial mystery.
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Dracula - The True Story of Vampires
Title: Dracula - The True Story of Vampires
Character: Archaeologist
Released: October 13, 2013
Type: Movie
"Dracula - The true story of the vampire" - Reveals how the vampire myth came into being, when the first "vampire epidemic" broke out, and why Count Dracula has since conquered the world.
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Title: Pointless Celebrities
Character: Self - Contestant
Released: July 4, 2011
Type: TV
Alexander Armstrong and Richard Osman present a celebrity version of the general knowledge quiz in which contestants try to come up with the answers that nobody else could think of.
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Columbus The Lost Voyage
Title: Columbus The Lost Voyage
Character: Himself
Released: October 8, 2007
Type: Movie
Columbus' 4th voyage has been a total failure: he has not found the westward passage, he has no gold to show, he has lost men and ships and his efforts to build a colony have fallen through. The monarchs of Spain are not going to restore the rights and privileges which were taken away from Columbus after the first voyage. And Columbus will be shamed. Many of his sailors who have survived, can't face the journey home. They will choose to remain on Hispaniola or neighbouring Puerto Rico.
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SOH10 the Opera
Title: SOH10 the Opera
Character: Attacker
Released: June 6, 2003
Type: Movie
The opera begins at the end. The woman has just experienced a terrible accident, a crash of both the computer and her brain to which the computer is connected. The first two parts take us through the reconstruction of her story, the use of her body, speech, memory and the data banks and central brain of the computer. She shares genetic, organic material with the computer as the computer replaces parts of her body with its cybernetic material. The relationship is unclear to both of them. Where reality exists is in a floating multi-layered network of hallucinations, fractured memories and her externalized inner life viewed on the computers screens, the film itself. She is physically present, witnessing and participating in the story on the stage, the computer, consisting of screens, sounds, musical icons and a glass central unit on which the woman performs her rituals of reconstruction. The story unfolds to her and to us simultaneously in a quest to understand what caused the accident...