Over four centuries ago, William Shakespeare collaborated with others on a play about the historical figure Sir Thomas More. In it, he wrote a speech in which More passionately articulates a defence of refugees, culminating in a poignant reference to their plight. Fast-forward to the present: Aleppo, in the midst of the Syrian civil war. Amira, a paediatric surgeon, performs a life-saving operation during the darkest days of the conflict. Through an unexpected twist of fate, she and her daughter become central characters in a dangerous tale that intricately interweaves the lives of five families spanning four continents and redefines all of their existences. Versions of this story continue to repeat themselves over the centuries. For this reason, Shakespeare aptly named this plight “The Strangers’ Case”.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Austerity took everything but the roof over their heads, and today it will come for that too. But this time, they will finally fight back, like a family with nothing left to lose...

Seven friends meets in a bar 20 years later reminiscing.

A series of murders alarm the police authorities, as strange symbolisms are traced to every crime scene. The eccentric professor of criminology Dimitris Lainis is asked to shed some light on the mystery.

In a country in deep crisis, two worlds collide: the bourgeois milieu of an intellectual psychiatrist, and the humbler, but no less ambitious world of a beautiful working class actress. They fall in love, but they will soon have to face reality.

A fictional film based on the true accounts of human rights abuse in a Mordovian prison.

In this ticking clock action-thriller, a courier's last delivery of the day may also be the last day of his life. Strapped with explosives, he must fight for his life while trying to solve a mystery involving both his family and a criminal empire.

A winter in an isolated island makes the appearance of a creature with a leather jacket and eyes that twinkle in the dark. Anyone who comes into contact with him losing his mind. Residents seeking the help of a strange girl who seems to be the only one that can put them with him. To strengthen her faith, it is driven to acts more and more extreme that seem to hide a secret relationship with him.

A love story with unpredictable twists and turns between perception and reality, love and its complications and the faults of human nature, Apo Erota (Lovestruck) is a romantic tale with a twist.

You Can't Take From One Who Does No Have (Ouk an lavois para tou mi ehontos) is a Greek animated series that aired in the 2010-2011 season on Mega. Ouk an lavois para tou mi ehontos develops in modern Athens where Charos goes, wanting to withdraw from his obligations. However, he is short an obolus on his books, what Menippus owes since he died. Hermes, as the carrier of souls and responsible for Menippus not having the obolus, together with Charus try to help Menippus make money to pay him the obolus. The series was scheduled to begin in the 2009–2010 season, but was eventually rescheduled for the following season's schedule. The series consists of a total of one cycle with 14 episodes.

Two men, different characters, share the most fascinating woman in the world, while the smells and tastes work as the best aphrodisiac in their parallel relationships. A love triangle, with little doses of the art of the cousine.

Desperate to break free from the poverty of his homeland, Elias boards a ramshackle people-smuggling trawler to France. But when the boat is raided by police, Elias leaps into the ocean, eventually finding himself washed up on a Mediterranean beach resort called Eden. So begins Elias odyssesy across Western Europe to Paris, where wondrous promise, helpful new friends and perilous dangers await him every step of the way.

Sometimes coming home is not what you expect it to be.

During a strange night, a prostitute, an opera singer, a fortune teller, a travel agent, a police chief and an insomniac meet by chance.

A TV star and her assistant, a taxi driver, a nurse, a security guard, a lone professor and a failed husband become protagonists of a circus with natural scenery Athens. Six parallel stories over a 24 hour.

Two friends, Lou and Lena... An agreement for this all night walk.

Two mothers/wives devise a solution to the downsides of marriage.

The Telemachy is a journey of self-discovery inspired by Homer's Odyssey. It follows Telemachus, an Anglo-Greek boy who runs away from home in order to find his true father on the Greek island of Skiathos. Throughout the film we encounter characters with overlaying themes that remind us that everyone has a story to tell.