Spike Milligan sketch series created after the BBC apparently thought another 'Q' would confuse people - continues in the same anarchic & often politically incorrect vein.

A husband and wife team are hired to protect an eccentric millionaire from an assassin but a series of murders follows.

Thriller is a British television series, originally broadcast in the UK from 1973 to 1976. It is an anthology series: each episode has a self-contained story and its own cast. As the title suggests, each story is a thriller of some variety, from tales of the supernatural to down-to-earth whodunits.

Meet Frank Spencer, an eager young man trying to find his way in the world. He's enthusiastic, well-meaning... and disaster-prone.

A British sketch comedy series with the shows being composed of surreality, risqué or innuendo-laden humour, sight gags and observational sketches without punchlines.

Q... was a surreal television comedy sketch show from Spike Milligan which ran from 1969 to 1982 on BBC2. There were six series in all, the first five numbered from Q5 to Q9, and a final series titled There's a Lot of It About. The first and third series ran for seven episodes, and the others for six episodes, each of which was 30 minutes long. Various reasons have been suggested for the title. One possibility is that it was inspired by the project to construct the Cunard liner QE2, launched in September 1967, which was dubbed Q4. Another theory is that Milligan was inspired by the BBC 6-point technical quality scale of the time, where "Q5" was severe degradation to picture or sound, and "Q6" was complete loss of sound or vision. This was extended by some engineering departments to a 9-point scale, finishing at "Q9". According to Milligan's autobiography, the final series was renamed There's a Lot of It About after the BBC felt the public might find Q10 too confusing.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.