Claire, a brilliant student, seeks answers to the meaning of life in the calm of her biology laboratory. One day, she meets a mysterious young man, Jack, at the cinema, and is intrigued by his style, assurance and audacity. Apart from his artistic activities, Jack has a regular scam going, ripping off foreign businessmen with his loyal mate Charlie and two actresses. But his tough guy exterior conceals a secret passion for old books, and he dreams of writing a novel one day. Jack falls hard for Claire's purity and curiosity. An unusual romance develops between them. But Jack is scared of their growing intimacy and rejects Claire, withdrawing into his shell. Abandoned and confused, Claire gradually begins to neglect her studies and embarks on a spiraling course of self-destruction, whilst Jack, who tries to ignore her, concentrates on his criminal activities. However, a sharp detective, named Linda Fox, is following his dodgy tracks.

TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

Raymond Joshua, a young black performance poet, is arrested and imprisoned for a petty marijuana charge in a Washington, D.C. jail. Although the confining prison walls do little to shield him from danger, it is within those walls that Raymond establishes his identity, strength, and voice and meets a prison gang leader and a prison writing teacher, Lauren Bell. Bell inspires Raymond to use the power of creative expression to free himself from the struggles and demise of the Black male as another victim of the judicial system.

The theft of her 257 treasured peppermills leads a woman to reminisce about her past encounters.