When a young boy finds a message from his late grandfather, his ordinary family discovers an extraordinary secret about themselves — and the universe.

Felipe and Claudio have a unique relationship. Somehow destiny pulls them apart and sets Felipe on a journey where he will risk everything in his pursuit of happiness.

Adolfo, a thirty something security guard, is going through a bad patch. Not only his lifetime girlfriend has just to finished with him to be a guy with no ambition but, moreover, he becomes the target of a series of thugs led by Vázquez, a dangerous criminal who has just escaped from jail. Also he discovers that his father has a double identity. He is not a farmer engaged in the production of cold meat – as Adolfo has believed all his life, but Anacleto, a secret agent who is a bit down and the man who locked Vázquez up in jail thirty years ago. Adolfo will have to leave his comfort zone and work with his father, the person that Adolfo get on worse with in the world to survive the revenge of Vazquez and while, between shootouts and chases, trying to get his girlfriend back.

Entre lobos (Among Wolves) tells the remarkable story of a poor country boy named Marcos, who at the age of 7 is handed over to his father's employer, a rich landowner, who in turn delivers him to a life of labor with a hermetic goatherd in an isolated valley. The old man, who lives in a cave, is unused to human company and at first seems not very interested in having a live-in apprentice. The boy, who was abused by his parents, is frightened and equally aloof initially. Despite this, the shepherd begins teaching Marcos how to herd the goats, as well as how to care for himself and how to survive in the wilderness by trapping and fishing.

Grandes dosis de humor, ingeniosos guiños a nuestro cine patrio más reciente, un elenco artístico altamente ligado a la comedia y una elevada reserva de sorpresas constituyen los ingredientes de esta disparatada comedia: Spanish Movie.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation's top executives decide to hire the most incompetent detective they can find to act as her bodyguard.

R2 is going through hard times: his past failures have earned the anger of the Chief Inspector. He finds consolation visiting Didi's bar to cheer listening to music, especially blues. In addition, the Chief Inspector is jealous since he knows that R2 receives letters from the Palacio de la Zarzuela. Aided by his trusty and faithful Inspector Cardenas,he tries to solve all the cases that are presented, using methods rather unorthodox, including the use of disguises. One day, he decides to solve a very interesting case: the blackmail to a rich businessman who is threatened by the kidnapping of his young wife.

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.

Will love compromise one man's devotion to heavy rock? That's the all-important question behind this broad comedy from Spain. Isi (Santiago Segura) and Disi (Florentino Fernandez) are two best friends who live in a lower middle-class neighborhood near Madrid. Isi and Disi aren't especially bright, but their devotion to heavy metal is complete and unquestioned, and they wouldn't be caught dead listening to a lame pop singer like, say , Joaquin Sabina. However, one day Isi sees Vane (Jaydy Michel), a beautiful girl who attends a nearby college, and immediately falls head over heels in love.

North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.

A caustic satire of many of the 'types' found in Spanish society.

In an odd destiny coincidence and hospital employee reiceives some important and confident information from a dying old man. He shares it with one friend and both start a crazy and extravangant adventure.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.

Julia, a real estate agent, finds an enormous amount of money hidden in a dead man's apartment, a stroke of luck that will force her to face the wrath of the very peculiar inhabitants of the condominium, headed by an unscrupulous administrator.

Sydney Fox is a professor and globe-trotting "relic hunter" who looks for ancient artifacts to return to museums and/or the descendants of the original owner. She is aided by her linguistic assistant Nigel and occasionally by her somewhat air-headed secretary Claudia. She often ends up battling rival hunters seeking out artifacts for the money.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows as fast, and as much, as their fame

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

A prison in Valencia hosts an event recognizing political prisoners jailed during Franco’s reign. The reunion proves more raucous than the organizers intended.