Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

The true story of the life of the movies first femme-fatale, Theda Bara, who made over 40 films, only a handful of which survive. Born in America, her film producers insisted she was an exotic foreigner, born in Egypt. Her most famous film was "Cleopatra" (Fox, 1917).

An unprecedented anthology of never-before-told true stories by and about some of Hollywood's most interesting stars, legends, and wannabes, and takes readers inside Hollywood's inner sanctum to show how casting decisions are made, who makes them, and who has the final word.

This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie 'True Heart Susie,' starring Lillian Gish, to 'Love Me Tonight' (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy), and to Elizabeth Taylor in 'A Place in the Sun' (1951), plus much , much more.

A "March of Time" presentation of the evolution of movies compiled primarily from film clips of silent movies through the early sound pictures to the present (1939) date. Industry executives such as Jack and Harry Warner, Walt Disney, Cecil B. DeMille, et al are seen taking bows in the live (non-archive) footage.

Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive

Stars of Yesterday documentary film.

A young man visiting Hollywood on family business gets into trouble when he sees a bank robbery in progress, and thinks it is a movie scene.

A female secret agent has gotten ahold of a new type of explosive gas. She has to avoid the efforts of two men who are trying to steal it. They succeed in doing so, but the gas turns out to be not quite what they expected.

When she goes to tell her husband Hubert that she is expecting a child, Caroline Knollys finds him in the arms of another woman. Caroline leaves him and, not telling him of her pregnancy, runs off to Europe where she has her child and becomes the toast of European society. Then she returns to settle with her husband once and for all.

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Kathleen, the daughter of a poor tenant farmer, dreams of her wedding with her beloved Terrence. The dream is interrupted when the Squire of the estate takes an interest in Kathleen and forces her father to allow him to marry her to forgive the father's debt.

Theda Bara plays Princess Zara, who lives on a South Sea Island. A handsome young missionary (William B. Davidson) arrives and there is a romance, which is hindered by various complications including a typhoon.

Marie Bernais, a Breton village girl, possesses a wonderful voice which her father believes is a gift from the devil. Raoul Nieppe loves her, but fears marrying below his social status, and his rejection results in a suicide attempt by Marie. She is rescued by Hector Remey who was once a tenor but is now a showman. Because of his assistance, she becomes a famous singer.

A woman detained in Germany attempts to escape so she can reunite with her American lover.

Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.

Lolette an exotic and spirited peasant girl lives In the small Spanish village of Juanguera . Although ardently courted by the native swains, and particularly a bandit called The Tiger, Lolette prefers Maurice Tabor, a French artist who has come to Juanguera to paint. Because he refuses to take her to Paris, Lolette accepts a gift of stolen jewels from The Tiger and follows Maurice to France.

Lilian is engaged to an older man in poor health when she meets his son Michael, whom she falls for. Due to a misunderstanding between the two, Lilian leaves after her fiance's death. Years later, Lilian becomes known around town for her "loose morals," but what happens when she runs into Michael again?

Palestine, under the rule of Rome. Salome, daughter of Herodias and both niece and stepdaughter of King Herod, becomes infatuated with the prophet John the Baptist, who publicly denounces the depravity of the royal family and proclaims the arrival of a new messiah. (Film presumed lost.)

As described in a film magazine, when Maria Valverda (Bara) refuses the attentions of Diablo Ramirez (Nye), he starts an insurrection among the native Filipinos. Maria's father Don Ramon is killed and Maria is held hostage. She gets word to Capt. Paul Winter (Roscoe) of the American troops in Manila and he comes to her assistance, but his troops are outnumbered and they are made prisoners by the revolting revolutionists. Maria and Paul attempt to escape, but they are caught and brought back. At the Manila headquarters, trouble is suspected and reinforcements are sent. Before long, the revolt is subdued and peace reigns over Maria's home, and happiness over the betrothal of Maria and Paul.

Theda Bara plays a Javanese priestess who elopes with an English military officer (Hugh Thompson). Bara's Bavahari becomes a celebrated dancer but is murdered onstage by a vengeful Buddhist priest (Victor Kennard).

Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.

After Jeanette becomes the mistress of the ambitious Jean du Barry, he marries her off to one of his cousins so that she has an entre to the royal court. She soon becomes the favorite of the King and Jean du Barry becomes a regular around the court too. But all this is disturbed when Madame du Barry falls for Conte Brissac of the King's Guard. Jean du Barry's attempts to expose her affair only get him banished from the court.

Lisza Tapenko (Bara) is governess in the household of Prince Arbasoff (Charles Clary). After the death of his wife, Lisza and he become involved, but because of the difference in social station he refuses to marry her. Lisza's former lover, Vassya (Richard Ordynski), convinces her to join the revolution and she goes off to the group headquarters in Switzerland. But the prince's little boy begs to have Lisza come back, so he goes after her and marries her.

The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).

Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.

Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.

This film is a very loose film adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo and presumed lost: The wealthy girl Esmeralda is kidnapped by gypsies at birth and becomes, as one might assume, the darling of Paris. She is loved by the bell ringer and former hunchback Quasimodo, Frollo, the wicked surgeon who cares him, and an equally wicked Captain Phoebus.

In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)

Shakespeare's tragedy of two young people who fall desperately in love despite the ancient feud between their two families.

Mary Doone (Theda Bara) is a poor British girl who runs away from her adopted family because the father made a pass at her. She lives at a parish house, and at the outbreak of World War I, she becomes a Red Cross nurse.

The Legion's mascot, Cigarette falls for an Englishman, Bertie Cecil (Herbert Heyes), and when he is sentenced to a firing squad, she heroically takes the bullet herself.

An adaptation of the 1861 novel by English author Ellen Wood: The story of long-suffering Lady Isabel Carlisle cast in a modern setting.

A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.

Peasant girl Vania is assaulted by a duke who murders her lover and sends her away to London.

Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.

Francesca Brabaut, who married an artist against her father's advice, regrets her decision when her husband Antoine, in debt, sends her to his misanthropic uncle to plead for money.

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.

Italian peasant girl deserts her fiancé for wealthy gangster and departs for America.

This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous

Theda Bara melodrama is considered lost

"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

Based -- loosely -- on Leo Tolstoy, this film starred feted stage star Nance O'Neil but is rather better remembered as Theda Bara's follow-up to the sensational A Fool There Was (1914).

John Schuyler, a happily married lawyer, is appointed diplomat and sent to England. Due to an unfortunate accident, his wife and child can not come along with him. On the ship to England, Schuyler meets the notorious Vampire - a relentless gold digger who causes the moral degradation of those she seduces, first fascinating and then draining the very life from her victims.

An ambitious bank teller (Edward Jose) steals a large deposit and starts life over under an assumed name. While he is becoming a lawyer and making his way up the ladder of success with the help of a political boss, the wife he left behind (Eleanor Woodruff) remains destitute and is forced to give up her child to an orphanage. The girl is adopted and grows up (played as an adult by Virginia Pearson) to become the secretary to an honest young lawyer. But the girl has the same quirk that her father had, and it causes her to steal a bracelet at a department store. She is arrested and finds herself before her father, who is now a judge.