Former loan shark Mao Ge had his leg broken by his enemy after he was released from prison. He started a second-hand goods business with Yiyuan, an ex-convict too. Qiu Jingwen, once a delinquent Mao Ge dated, sublet her toast shop space to Mao reluctantly. Jingwen’s cousin Qingtian, a prison officer, helps out at the toast shop and she is skeptical of Mao and Yiyuan turning over a new leaf...

This story follows the life of a group of nurses as they take on their challenging routines with professionalism and pride. Wang Ruojun is an experienced nurse who saved Liu You Le from an accident. You Le is grateful towards Ruojun and this incident inspires her to be a nurse. Though successful in her career, Ruojun faced marital woes. Her husband of many years cheated on her and even has a love child outside. Fu Jiazi is originally a software engineer; he lost a friend during a car accident and blames himself for not being able to save his friend. This incident makes him decide to quit his job as a software engineer and become a nurse. Guan Xinni suspects that Xie Yaozong is the man who molested her when she was a child. Because of this misunderstanding, she puts herself in many funny and embarrassing situations. The nurses not only face challenges in their job but also in love as well. Will they be able to resolve their problems in love, career and family?

Hong Daming is a positive and generous man. As his coffee shop and house number are both "118", the people around him gave him the nickname of "118" (or 要要发), much to his delight. Together with his wife, Liu Meimei, he makes a living by running the coffee-shop, and are well known in Tiong Bahru. Whenever someone is in need, they would always seek Daming for help. His family lives in a 3-room flat, which was built in pre-war years, above the coffee shop. He has 4 children. The children are named Hong Shunfeng, Hong Shunshui, Hong Jinzhi and Hong Yuye. Having 6 people living in a 3-room flat is cramped-up enough, yet he also rents out a room to "Ah Niang", a middle-aged man whose original name is Li Weiliang. Weiliang studied fashion design in France, but circumstances led him to simply run a stall in 118's coffee-shop, selling dumplings with the recipe that his mother left for him.

Ah Long's father was desperate to have a son born in the year of the Dragon because his ancestors had decreed that only a "Dragon boy"could take over family's lion dance association, His mother instead gives birth to "Dragon girls" while Ah Long himself was born several seconds after the clock struck twelve, making him a "Snake baby", much to the disappointment of his father. At present time, Mother Long orays to the gods for blessings on her three children and pours out her desire for a grandchild. The oldest daughter Lucy, 48, is a spinster and can't find suitable work. The second daughter Ah Bee, 36, is a gambling addiction counselor who is tomboyish and was recently dumped by her boyfriend. The youngest and only son Ah Long is married but is terrified of children. Meanwhile up in heaven, the gods are growing sick and tired of hearing Mother Long's daily prayers for a grandchild and deliberate whether to grant Mother Long her wish....

Chinese Paladin is a Chinese television series produced by Chinese Entertainment Shanghai Ltd. It was first broadcast on CTV and CBG in Taiwan and mainland China respectively in January 2005. The series is based on the original version of the RPG The Legend of Sword and Fairy. It was followed by Chinese Paladin 3 in 2009. The series brings together cast members from China, Hong Kong and Singapore.

Masters of the Sea was a 1994 television drama series produced by the Television Corporation of Singapore, the predecessor of Mediacorp. It was the first full-length English drama series to be produced in Singapore. The series starred Wong Li-Lin, Ng Chin Han, and Aziz Mustajab. Masters of the Sea was derided by some as "fairly disastrous" and lasted only two seasons, with the second season titled Masters of the Sea: In Troubled Waters. One of the criticisms was that it portrayed an elderly Peranakan woman wearing the wrong costumes and ornaments, and speaking the wrong phrases. However, it was syndicated to Indonesian television, where it was shown localised into Indonesian.