A 'failed' musician tries to save the souls of at-risk youth and San Quentin prisoners and along the way discovers the true gift of his music...and the deeper meaning of freedom.

San Francisco-based forensic neuropsychiatrist Eldon Chance reluctantly gets sucked into a violent and dangerous world of mistaken identity, police corruption and mental illness.

Rebeca Duarte is a strong woman and resolute bisexual. Drawn to the risk and adrenaline-rush that her job provides, outsiders think Rebeca must have it all together. But Rebeca is still looking for something more. When she receives an unexpected package from an aunt, Rebeca’s neatly wrapped life begins to unravel. The package contains a photo album of her family in Peru, including pictures of her brother, who died before Rebeca could know him. The photos set off memories that cannot be silenced. As she follows the leads, Rebeca learns a truth about herself that shakes her to the core: the brother she was always told about was, in fact, herself. Rebeca learns of her childhood diagnosis as a hermaphrodite and the ensuing surgery that turned her “officially” into a girl. A compelling and skillful telling of a necessary story, BOTH is based on the experiences of the filmmaker as well as those of many other intersex adults.

An anthology of five tales of terror, each originally produced for video. The titles are "Something's Fishy," "Coffee Break," "Who's There," "Jonah's Dream," and "Think Twice."

The Jackson 5ive was a Saturday morning cartoon series produced by Rankin/Bass and Motown Productions on ABC from September 11, 1971 until 14 October 1972; a fictionalized portrayal of the careers of Motown recording group The Jackson 5. The series was rebroadcast in syndication through Worldvision Enterprises during the 1984–1985 Saturday morning season, during a period when Michael Jackson was riding a major wave of popularity as a solo artist. The series was animated mainly in London at the studios of Halas and Batchelor, and some animation done at Estudios Moro, Barcelona, Spain. The director was Spanish-American Robert Balser.