Writer Sam is thrust into the role of director at a local theater after her predecessor gets fired. Barely making it through each rehearsal, Sam struggles to wrangle her eclectic cast while trying different tactics to make her play a success.

Flight attendants Chris and Wes instigate twisted mile-high games with their passengers, leading to the unimaginable - trying to make an emergency landing after someone poisons the pilot.

Newly-divorced actress Molly, her recently-dumped lesbian best friend Abby and Molly’s mother Helen host a dysfunctional, comical and chaotic Thanksgiving dinner for their motley crew of close friends and strange acquaintances.

Molly, a paranormal con artist who cleans people of their valuables instead of their demons, accidentally rips off a Drug Kinpin. She now has to save her kidnapped partner and herself while battling through the under belly of Los Angeles.

A hotheaded widow searching for the hit-and-run driver who mowed down her husband befriends an eccentric optimist who isn't quite what she seems.

Wes and Chris, in couples counseling, decide to explore opening the relationship to spice up their sex life.

A fresh and funny take on modern friendship and what one urban family will do to stay friends after the perfect couple who brought them all together break up on their wedding day. The failed wedding forces them all to question their life choices. Then there are Alex and Dave themselves, who strike a truce and must learn to live with the changes their breakup has brought.

Follow the lives of a group of students at what is possibly the world’s worst community college in the fictional locale of Greendale, Colorado.

The Legend of Neil is a comedy web series distributed by Comedy Central's partner Atom.com and is a parody of the Nintendo game The Legend of Zelda. Sandeep Parikh of The Guild fame directs the series. Tony Janning writes for the series, and acts as the title character Neil. Felicia Day and Mike Rose, who have worked with Parikh on the set of The Guild, appear as recurring characters. The series follows Neil, who is sucked into the world of The Legend of Zelda while playing the game. As he travels Hyrule he is mistaken for the hero of the game, Link. The series is "full of self degrading, foul humor", such as when Neil is being sucked into the game he is masturbating and strangled himself with his NES controller. The series began as a four-minute YouTube video posted in 2007. The video went viral, receiving several million views. Its popularity led to Atom.com financing a web series based around the video. The first season was released in 2008. According to Fox Business before the premiere of the second season, "With nearly one million plays, the hit Web series by creator Sandeep Parikh built one of the Web's most enthusiastic fan bases in 2008." In the run-up to the August 2009 premiere of the second season, MTV2 planned to air the complete first season. The series was also nominated for multiple Streamys at the 1st Streamy Awards in 2009.

Fantasy and reality collide when a surprisingly diverse group of online video-game addicts struggle to balance the game with personal relationships.

Since the 2005 cancellations of Laserfart and MESI Dan Harmon has lingered in the background of Channel 101, sneaking into various hit shows while working on "real" television for VH-1. Before 2006 was complete, Harmon delivered this poignant gem to October audiences and strolled back into prime time. Exposure tells the story of Dylan Carter, a struggling creative drawn to the power of Channel 101, who must overcome his own limitations and cope with rejection. On the show's similarities to Channel 101: The Musical, Harmon writes: "It's Last Temptation of Christ to Makiaris' Jesus Christ: Superstar."

When Phone Sexxers premiered in the summer of 2006 the audience granted the simple show about Phone Sex the honor of another episode. Ryan Ridley and Abed Gheith took their good fortune and ran with it, re-inventing themselves with every episode, right up until the end of the 2006 season. They managed to juxtapose the inner workings of the male phone sex industry with situations ranging from high-rise bloodbaths to the depths of hell, and did it with the kind of class and skill that landed the show Best Editing, Best Special Effects, and Best Writing at the 2006 Channy Awards. In January of 2007, Phone Sexxers ended their legacy with a touching self-cancellation that would make Mike Nichols proud.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

A 'mocumentary' on the rise and fall of Chip and Dales dancer turned martial arts action star, Francis Allen Sledgewick, AKA Frank Sledge. When fame and fortune caused Frank to lose his sense of what's truely important, he realised he's going to have to get in touch with his roots if there's ever going to be a comeback.

With the help of his new self help book and his dog/therapist, Ari must navigate his life, his past, and the challenges of creativity in today's world. Told through multiple mediums, "How to Live" is an exploration of one man's all-too-familiar artistic journey and the lessons he must learn in order to accomplish his goals.