The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

Boris Malagurski explains how the military-industrial complex, big business and political interest groups endanger peoples' health and existence, focusing on the examples of Serbia, Cuba, Chile, Italy and Bolivia.

TV movie based on the first chapters of the Icelandic Brennu-Njáls saga