Second of the three Awamori-kun movies.

A squadron of Japanese fighter pilots realise that they are never going to win the war when they understand that Japanese military tactics have little regard for life. Seeking the companionship of any woman who will have them, they spend their days indulging in every fantasy in order to escape the overwhelming fear of death looming just over the horizon.

Story about a poor Japanese woman living near an American army base who resorts to prostitution.

An Ishiro Honda film.

Jidai-geki by Kiyoshi Saeki

The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

Jewel thieves become interested in an invisibility formula invented by Professor Nakazato and want to use his invention to acquire a diamond necklace called the "Tears of Amour."