Larry and his wife are desperately poor—with no food. However, the butcher and grocer show up to collect money they are owed and they won't take no for an answer. They are ready to take anything and everything and eventually chase the pair up onto the room—where various stunts occur.

The Roman setting provides ample opportunity for a very high concentration of gag titles, many of which are quite witty and many of which are quaint for deriving their humor from the juxtaposition of having ancient Romans use a lot of hip 1918-era slang. The whole thing is an excuse for a good send-up of how the Roman Empire has been depicted in "serious" plays, movies, &c.

Unlucky Larry finds himself pursued by the police after he inadvertently steals a man's car and kidnaps his girlfriend.

Larry Semon produces his take on a typical Keystone farce, the flirting-in-the-park routine, where pretty Florence Curtis is pursued by four typical Keystone types: the wealthy geezer, the moustachioed Italian, the derby-wearing tough and, of course, the big-footed cop… and here comes Larry, if not to save the day, at least to make us laugh.

Golf, we discover in this early Semon short, is a game that is played by striking a croquet ball with a hockey stick and seeing how many times it can hit Larry Semon.

A man comes home drunk in this slapstick comedy.

While Larry Semon does not star in Rips and Rushes, its confident gags and frenetic pace suggest his touch. In the knockabout one-reeler set in a dance studio, three suitors compete for the girl. James Aubrey, the actor playing the father’s preferred suitor, may look like a Chaplin imitator, but he came by those skills honorably, born like Chaplin in Britain and likewise coming to the U.S. with Fred Karno’s troupe. Nevertheless it’s Alice Mann, with her wacky headdress and knowing glance, who steals the show. Suffice it to say that many vases are broken and pants ripped before she escapes out the window with the handsomest of the beaus.