Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.

Life and work of the founder of the Cinémathèque Française.

A profile of the film director Roberto Rossellini, looking at his life, personality and films, following his career and his relationship with Ingrid Bergman.

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

A woman goes to Cannes and, lost in its chaos and unable to obtain tickets, ends up watching it on television from her hotel room.

Henri Langlois, founder and director of the Cinémathèque française, is interviewed in his museum at the Palais de Chaillot and talks about cinema. “Henri Langlois's anti-courses” are made up of a set of short films, or more exactly of chapters. Each chapter is devoted to a filmmaker or to a significant pivotal period of such or such a country and of such or such style, or to a group of men whose action was, at one time, decisive for the course of cinema.

Henri Langlois, interviewed in the Cinema Museum at the Palais de Chaillot, talks about his vision of cinema's past, present and future, before a brief jaunt through the museum as it was in 1975.

The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.

Unfinished documentary portrait. During 1971, Henri Langlois was spending his life at the Cinémathèque at the Palais de Chaillot and devoting himself entirely to the development of his museum without ever sparing himself. He needs to touch, place, nail, shape each corner himself, imagining each new arrangement. The smallest detail counts, the smallest fold of costume. He can spend hours adjusting a jacket, and fatigue sometimes surprises him around a staircase ...

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

Documentary about filmmaker Jean Grémillon.

Wednesday July 31, 1968, almost six months after the start of the "Langlois affair" which saw the government attempt to oust the founder of the Cinémathèque française, triggering massive support from the biggest names in world cinema, Henri Langlois finally resumed possession of the hall of the Palais de Chaillot and celebrates his return with a tribute to Charlie Chaplin.

Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.

In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

At the world premiere of "Gertrud" in Paris, December 1964, Dreyer is greeted by many celebrities of the French cinema: Clouzot, Langlois, Truffaut, Godard, Anna Karina. Afterwards Dreyer delivers short comments on the style of each of his films.

Documentary portrait of Dziga Vertov, father of documentary cinema.

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

Furtive traces of a visit, a certain February 22, 1962: Buster Keaton.