A good-natured, albeit a bit pedantic stationmaster works at a railway station in the middle of nowhere. One night, a beautiful high-society woman enters the station to buy a ticket. Waiting for her train, the two talk and eventually grow close. However, the mood quickly changes when the woman's fiancée arrives and tries to prevent her from leaving with increasingly violent means.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

An Ancient Mayan curse is awakened in the ancient temples in Mexico, and people are killed in strange and gory ways by an invisible force.