Leon falls in love with a nurse and obsessively tries to get close to her.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.

It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.

Ewa is a reporter. Using her feminine charms and other means she is trying to become a journalist on a Warsaw weekly popular magazine. She hopes to become political interviewer of personalities and state leaders. On her way up the ladder she trips over one of her own shoestrings and falls short of the goal she has been pursuing so fanatically.