Several actors are members of a amateur soccer team. They followed in their preparations for a particular audition and in their personal life. With about 6 actors this delivers a broad picture of Italian life in which the question what it means to be a man is posed in the challenging circumstances of familily life, sex relationships, sport, cross gender roles and mafia.

Dir. Stefano Calvagna’s third feature is inspired by the real events in the life of Luciano Liboni, aka "The Wolf." A freewheeling interpretation of the character, here renamed Franco Scattoni (Massimo Bonetti), the film highlights the ups and downs of a rough and violent man, whose behavior borders on madness and is worsened by epilepsy. Il Lupo feels he has nothing to loose. Diving headfirst into a life of crime, he ends up killing a gas station attendant in Perugia in 2002. He then kills a young "carabiniere," and becomes a wanted fugitive. A case study in human behavior’s violent patterns framed as a psychological thriller and police story, this controversial film has been praised for the uncompromising realism of its disturbing narrative.

The life and times of Armando Feroci, a fortyish year old, who's been everything, a divorced husband, a careless father, an unreliable brother. The story is told in flashback by his friends while Armando has been mysteriously kidnapped in an Arab country by an integralist group and condemned to death.

The vicissitudes of three couples of newlyweds from the celebration of weddings to their respective honeymoons.

Italian slice-of-life comedy-drama following the exploits of four low-life teenagers from Rome's suburbs.

Pazza famiglia is an Italian television series.

The story of the first ever "anti-mafia judges pool" established in the '80s at the Palermo Courthouse, in Sicily, in the '80s, while two mafia families started a 10-year-long war to obtain the complete control of smuggles.

Genoa, 1945. The war is over but not for 4 partisans who still try to capture the remaining fascists. They are not satisfied with the concept of justice that the new born Italian Republic tries to instigate.

A poster worker must remove the poster of the original movie, when the figures of Renato and Paolo suddenly moves and leaves the poster driving an ambulance dressed as nurses.

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

Two silent movie actors escape from their film. Forced to find a way to survive in the real world, they will only cause troubles to the people they will meet along the way.

Carlo, a police officer, after intercepting a call conducts a drug bust at a private party at the upper class apartment of Rosanna Clerici and she is arrested. Just as the police and party guests are leaving, Giulio, Rosanna's six-year-old son, comes out of his room and asks Carlo where his mother is. Seeing that Carlo is the person responsible for his mother's arrest, Giulio tags along with him until his mother is freed. Carlo does everything possible to have Social Services or somebody look after the kid but is told by the Courts that he is the best candidate for his custody until a better one is found. Even though Giulio manages to turn Carlo's life inside out he ends up getting to like the kid and falling for the kid's mother, Rosanna, while she is in prison. It ends with Rosanna being released from prison and the three of them going out for dinner.

Frenetic in its pacing and with miniscule character development, this trite slapstick farce stars three Italian comics - Paolo Villaggio, Lino Banfi, and Massimo Boldi as the idiot-nephews of a wealthy invalid (Enrico Maria Salerno). The uncle's plan is to teach the trio how to successfully steal for a living but the plan does not have a chance against their exaggerated ineptitude.