Giorgio Capitani reconstructs in the Rai TV film the parable of the famous entrepreneur, in a product that in technical terms does not escape the logic of television, but still manages to offer an interesting picture of a key figure of postwar Italy.

Giacomo Puccini, the son of a Tuscan organist, achieves world-wide recognition as a composer of operas and dies from throat cancer in the middle of an artistic crisis, at the age of just sixty-six.

Dir. Stefano Calvagna’s third feature is inspired by the real events in the life of Luciano Liboni, aka "The Wolf." A freewheeling interpretation of the character, here renamed Franco Scattoni (Massimo Bonetti), the film highlights the ups and downs of a rough and violent man, whose behavior borders on madness and is worsened by epilepsy. Il Lupo feels he has nothing to loose. Diving headfirst into a life of crime, he ends up killing a gas station attendant in Perugia in 2002. He then kills a young "carabiniere," and becomes a wanted fugitive. A case study in human behavior’s violent patterns framed as a psychological thriller and police story, this controversial film has been praised for the uncompromising realism of its disturbing narrative.

Grandfather Alcide is given a surprise party by his many relatives. He, however, dies of a heart attack. The dearly departed turns out to have been a hardened saver and leaves an astonishing amount of money to his two sons, Alfredo and Nunzio, who suddenly find themselves dealing with a large sum of money. On the advice of Nunzio, the younger brother, Alfredo decides to move to Rome to open a restaurant serving typical Calabrian cuisine, Il Piparedduzzo.

The Champions League Final, on 31st May 2001, in Rome. A football match unites men that have nothing in common with each other. The stadium becomes a modern Greek theatre, where five dramas touch one another, only to fade away in a few minutes. The main characters are, Simone, Alice, Gabriele, Pietro and Achille, all different types of people, of different ages, all looking for a place to find some peace and quiet, a taste of happiness and love, as well as someone to trust in. At the last stage people laugh, but there is always a bitter note to their laughter. And their laughter is louder and more satisfying the greater their adversity. Indeed, in the end, there is always a reason to go on, a final stage from which to rise.

Questa casa non è un albergo is an Italian television series.

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.