This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

'Ang.: Lone' is a sort of social realist 'rebellious teen movie'. It tells the story of a troubled, emotionally confused, and defiant 16-year-old girl called Lone. Lone runs away from a girls' home in Jutland and travels to the home of her foster parents. Her visit quickly gives rise to a conflict so she travels onward to Copenhagen. In Copenhagen she enters into lower and middle class milieus and the hippiesque underground, but she runs away from each of these because she manages to start conflicts with most people by acting aggressively aggrieved. Lone finds a boyfriend and becomes pregnant during the couple of months she spends in Copenhagen before she is found and placed in a mothers' home which she eventually runs away from in order to have an illegal abortion.

"Give God a chance on Sunday" - A young priest thinks he's found out what he needs to do to better his church.