Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.

Several men from Wales travel to the Philippines on an arranged tour to meet Filipina women for romance and possible marriage. None of the women are the ideal Asiatic beauties the men imagined, but by the end of the tour, most of the Englishmen return with a new bride.

When it is time for her to give birth, Andrea, a communist insurgent seeks refuge in the city to her best friend Joyce. When Andrea's husband is reportedly killed, she temporarily leaves her son to their care. But before Andrea could return to her baby, she is arrested by the military. With no news of Andrea's whereabouts and presuming her to have been dead, the childless couple decided to keep the child and bring him to the United States. Upon returning to the country after seven years for a visit, Andrea confronts them and tries to claim his son back.

Baby Tsina a famous underworld figure during the 50's who acquired the nickname because of her ivory skin and slanting eyes. She led the police in a frenetic chase before she was convicted for murder. Ironically it was a crime she did not commit. While in jail though she underwent a transformation and led the other inmates in seeking for reforms in the local penal system. An engrossing film with superior performances from the entire cast.

When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.