Janet Freeman (Gaby Jaeger), the daughter of the English nuclear researcher Clive (Jürgen Goslar) and his wife Lucy (Eva-Ingeborg Scholz), is kidnapped

Doris Putzke is fond of dating men in her quest to find the perfect one. In her brief relationships, she goes from one disillusionment to another, constantly deluding herself about the intentions of her lovers.

Ursula Gothe is the mother of a son, husband Richard is to be promoted soon. Her orderly life in the pretty villa gets out of joint when Ursula discovers a girl's newspaper ad. Is "Suchkind 312" her illegitimate daughter Martina, whom she had lost while fleeing from the East?

Marlene Roedern is a student at the Salzburg Mozarteum, as is her boyfriend, Hans Hellmer, a promising conductor. Strothoff, a government cultural representative, engages Hans to conduct at Hamburg. While in Salzburg, Strothoff meets Marlene, who works as a tourist guide in order to pay her tuition fees. He hires her for an all-night tour of the city. She becomes infatuated with him and he with her. Hans is not happy about this.

Dr. Hartwig has settled in a small town as a doctor. One day the magical Ursel Daxenmeyer appears in his practice. Dr. Hartwig falls in love with her and wants to marry her. Beforehand, however, various obstacles have to be cleared out of the way. A very special obstacle is Ursula's father, Eusebius Daxenmeyer. He deals with mixed goods and is also a hypochondriac, that is, an ill patient. No one can tell him his imagination that he is deadly ill.

Film about young smugglers.

Two out of work musicians put on drag to get work in an all girl band. Inevitable comical romantic complications ensue.

An Austrian comedy about a mayor who gets headwind from all sides. The very strict mayor (Karl Skraup) not only rejects the marriage of his son with a Viennese woman, but he also denies 40 kids their intended holiday--paid for by the provincial government--because they are illegitimate children. The entanglements only get bigger when two reporters start writing about it. When the local nurse (Maria Andergast) pretends to be the mayor's illegitimate daughter, his resistance is finally overcome.

Schalanter, once a prosperous craftsman is hit by the industrialization in Europe of the outgoing 19th century and self-inflicted negligence, he and his family - Gattin Barbara and the children Martin and Josefa - falls into considerable economic distress. More and more, the old man grabs the bottle and thus aggravates the economic situation. Schalanter is marked and predestined for a serious downfall and collapse.