Helfried Edlinger

Helfried Edlinger

Born: November 25, 1948
Died: July 10, 2006
in Zeltweg, Austria

Movies for Helfried Edlinger...

Title: Trautmann
Character: Josef „Panther von Glasgow“ Krivanek (Helfried Edlinger)
Released: December 21, 2000
Type: TV
Trautmann is an Austrian television series.
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Title: Julia – Eine ungewöhnliche Frau
Character: Herr Jenbacher
Released: November 23, 1999
Type: TV
Julia – Eine ungewöhnliche Frau is a German television series.
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Title: Schlosshotel Orth
Character: Hans
Released: November 25, 1996
Type: TV
Schlosshotel Orth is an Austrian television series.
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Seifenblasen
Title: Seifenblasen
Released: May 14, 1985
Type: Movie
Leo, a young filmmaker, quarrels with the screenplay author about the explosive plot, has problems with his girlfriend Katrin, and to top it all, the department of education doesn't want to subsidize his film although the television people are interested in it. In other words, a lot of problems for Leo. An influential politician who thinks he has recognized himself in the film story is responsible for it all.
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Eine blassblaue Frauenschrift
Title: Eine blassblaue Frauenschrift
Released: December 30, 1984
Type: Movie
In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?
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Karambolage
Title: Karambolage
Character: Max
Released: January 2, 1983
Type: Movie
Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.