Al Graham runs a trucking business in Alaska, America’s final frontier which confronts him with washed out bridges, female hitchhikers and mayhem concerning his partner Gerard Mason and his scheming wife.

Pursued by a posse, a rancher and a young woman, partners in crime, are chased into Indian country.

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis' reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.

The Three Stooges travel West where they become heroes by nabbing a gang of would-be robbers.

Thieves break into a warehouse that stores guns, steal them and kill the night watchman. An undercover agent assigned to the case happens to get into a traffic accident with the sister of the man the police suspect is head of the burglary ring, and in order to work his way into the gang, he romances the boss' sister. Complications ensue when the two fall in love.

Restored by the George Eastman House in 2001, this 1928 serial was considered a “last hurrah” for the silent-era serial, and brought together some of the biggest names of the era: director J.P. McGowan, actors Francis Ford and Joe Bonomo (a carnival strongman-turned-actor), producer Trem Carr (who would later help found Monogram Pictures), and a slew of silent-era supporting icons such as Ruth Hiatt, Grace Cunard, and more. Chapter names like “The Clutching Claw,” “The Devil’s Dice, “Galloping Fury,” and “The Invisible Hand” offer all one needs to know of the film’s concerns: to promise and deliver as much action and suspense as possible, and move our intrepid hero and heroine from one perilous situation to another. One of the biggest stars of the early silent era and a successful serials director in his own right, Francis Ford was the brother of director John Ford.