As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

John Farrow: Hollywood’s Man in the Shadows is the first documentary ever made about one of Hollywood’s most prolific yet forgotten filmmakers, John Villiers Farrow (1904 -1963). Part mystery, part biography, part film noir – the documentary follows the stranger than fiction story of this Australian born, Oscar-winning filmmaker. As one of Hollywood’s most enigmatic f igures, Farrow was the director of some 50 films; a sailor, a poet, a war hero, best-selling author, a religious scholar, a family man and a philanderer – a man who lived many lives – yet who left behind no memoirs, no interviews and no archival footage – and who today is only a shadow in the pages of film history.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

This documentary follows Phillip Noyce as he tries to find three aboriginal girls able to act in his film Rabbit Proof Fence. The film sees a cast of 100's whittled down to the eventual three girls and follows them through workshops and into the difficult shoot.

Rove, formerly Rove Live, was an Australian television variety show which premiered on the Nine Network on 22 September 1999, before moving to Network Ten which aired the program from 2000 until November, 2009. The show was hosted by comedian Rove McManus, and featured an ensemble cast, who presented various segments throughout the course of the show. The show won the Logie Award for "Most Popular Light Entertainment Program" five times.

A fragmented film, largely following street performer George Shevtsov at the 1970 Vietnam Moratorium, the Odyssey Pop Festival at Wallacia in 1971, and street theatre sneezing for lunchtime crowds. The film then takes a darker turn, contrasting audio from a court case with footage of police.