Nagi Oshima quits her job, cuts off everybody she knows (including her boyfriend), quits social media and cancels her cellphone. To restart her life, she moves to an old apartment in the suburbs of Tokyo. She wants to have a pleasant and free life, not caring about other people.

In the form of a fiction, Naomi Kawase delivers a self-portrait which is also a re-crossing of her earlier films. The old city of Nara, the first capital of Japan where Naomi Kawase is from and where she still lives, opens up a reverie where past, present and future meet. In its winding streets mingle the "Haré" of days of celebration and ceremony and the "Ké" of everyday life.

The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.

Shuji Mimura works as a broadcast writer. He learns that he doesn't have much time left to live. He decides to concentrate on the future of his beloved family. Shuji Mimura's final plan is to find the best man to marry his wife Ayako.

Six high school tennis clubmates, including railroad investigator Noriko Hanamura, are going on a day trip to Kawaguchi Lake. However, one of them, Ayako Hirayama, does not show up even after the arranged time for the meet-up has passed. Magazine writer Yumi Tachiki, who planned the trip, calls Ayako but gets no answer, so Noriko and the others, believing Ayako will catch up with them, proceed to their destination. Even though Yumi and Noriko call Ayako many times, she does not answer. Yumi receives an urgent work request after arriving at Tenjozan Park by ropeway, so Noriko and the others return to Tokyo leaving Yumi at the mountain. None of them had any contact with Ayako the entire day. That night, Noriko receives a call from the Yamanashi Prefectural Police informing her that Yumi's body has been found stabbed in Tenjozan Park. One of the ropeway employees happened to witness a mysterious woman wearing a hat and a mask following Yumi down the mountain trail that evening...

The final 'Front and Back' film.

The fifth 'Front and Back' film.

The fourth 'Front and Back' film.

The third 'Front and Back' film.

The second 'Front and Back' film.

Amagi Yu is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department’s First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the “graveyard of detectives” and ridiculed as the “banishment room where hardened detectives who cannot be fired are sent”. Its assembled detectives Samura Kosuke, Yamashita Takumi, Nagasawa Keita, Mizutani Tamaki and Katagiri Masatoshi are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi and time limit, he searches for the meaning of “blank time” which arises from this. He obsesses over the weight of every minute and second of time because of some incident.

The first 'Front and Back' film.

When his father flees from debt, carefree college student Osamu sees his life turn upside-down. Expelled from school and evicted from his apartment, he becomes one of Japan’s many ‘net cafe refugees’, barely scraping by each day with temporary and part-time work. Even though he’s still in Tokyo, his circumstances drive him to see and experience his home city in new ways. Trying to survive, Osamu gradually acquaints himself with the ‘invisible’ spaces occupied by the wanderers and homeless of Tokyo… people just like himself.

Harumi Hagiwara lands in the hospital after being involved in an accident. She hits it off with her nurse, Reiko Nishimura, and the two decide to move in together after she's discharged. However, Harumi begins to witness a series of mysterious events soon after noticing Reiko's strange behavior. Additionally, she fears for her own safety when Reiko starts referring to herself as 'Mari' as if she's become an entirely different person. Before long, the situation develops into a case of murder.

Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri's mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri's brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri's, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, "I want to see you." Because she blames herself for her brother's death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app's users begin to die.

During the Kyoho period in the reign of Tokugawa Yoshimune, there is a gang of thieves active not just in Edo but also the Tokaido and the Nakasendo, and all across the Kansai region, stealing large sums of money with skillful techniques. They only target the very wealthy and never kill or injure people. They appear with the clouds and disappear like the mist. On the night that the beautiful Ochiyo is to become the bride of a dry goods dealer, a large amount of money hidden inside the shop is stolen. The gang disappears without injuring anyone. It was a two-year plan to marry Ochiyo off so that she could bring them in. The leader of this gang is Kumokiri Nizaemon, the greatest bandit of all time. He keeps a rein on his highly-skilled and notorious followers Nanabake no Ochiyo, Kinezumi no Kichigoro, Subashiri no Kumagoro, Ingakozo Rokunosuke and others.

11 mysteries, 11 actors. Japan's favorite mystery author, the world of Higashino Keigo comes to life on screen through an assortment of short stories.

Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".

On a return flight to Japan, cabin attendant Isaka Rei arrests a thief at Narita Airport’s International Terminal, and receives a reward of 1 million yen. However, she is half-forced to resign from her job as a cabin attendant because of this roundup. Furthermore, her younger sister, Akane, has made her a guarantor and disappeared, leaving her 10-year-old daughter, Haru behind. Rei starts to live with a reluctant Haru at ‘Shunkato’, the small eating house that Akane has been running. There is a firsthand account of Akane meeting a ‘Shunkato’ customer on the day she went missing. Rei brings the photograph of the man whom Akane met to Tsukishima Police Precinct, and learns that there is a 1 million yen bounty because he is a wanted criminal. The lack of motivation of the attending detective, Gondo Takeshi of the precinct’s Community Safety Division, spurs her to decide that she has to arrest this criminal who has some sort of connection to her sister. And so, Rei becomes a bounty hunter together with the ladies who gather at ‘Shunkato’.

19-year-old freeter (a Japanese expression for people between the ages of 15 and 34 who lack full time employment or are unemployed, excluding housewives and students.) Tsuyoshi Osanai enters a school for guide dog trainers. After 2 years of training, Tsuyoshi becomes an assistant trainer. His first dog to train is Chie.

This work is based on the 2007 Sony Ericsson Foma SO903i mobile advertising idea to extend into a 50-minute fantasy movie with Yuko Takeuchi as Chocolat who's younger sister Noriko met Chocolat's old boyfriend during a storm in a bus stop. They went to cafe and started reminiscing using their mobile phone about Chocolat's death 7 years earlier in an accident...

Yoko, a sort of modern tomboy, almost by chance gets her sights set stubbornly on becoming a Cabin Attendant (CA), a type of woman the men are all fond of, but a role which is completely out of character for her. (This is a drama about young people including a girl who wishes to work on the stage of big sky) The headstrong Yoko Misaki (Aya Ueto) is a boyish girl who loves rock’n roll but hates dishonesty and has never once worn high heels. A chance comment by one of her friends causes her to aim for the job of a cabin attendant on an airline, which is completely out of character. Although she also feels the work is not up her alley, Yoko starts to prepare for the entrance examination with vigor, exhibiting her inborn never-say-die spirit and miraculously passing the examination. Naively assuming that she would immediately become a cabin attendant upon passing the test, Yoko of course has stiff training awaiting her.

What happens with two children commit two different muders in order to protect each other? Does salvation exist for them? In order to walk beneath the sun once more, Ryouji and Yukiho find themselves in a twisted web from which neither can escape without abandoning the other. Having no one but each other, this drama follows the events the follow that fateful day… 14 years ago.

'Female' is comprised of five short films adapted from five novels by female authors. Directed by Shinya Tsukamoto, Tetsuo Shinohara, Ryuichi Hiroki, Miwa Nishikawa, and Suzuki Matsuo.

Humanity finally rids themselves of Godzilla, imprisoning him in an icy tomb in the South Pole. All is peaceful until various monsters emerge to lay waste to Earth's cities. Overwhelmed, humanity is seemingly saved by a race of benevolent aliens known as Xiliens. But not all is what it seems with these bizarre visitors. If humanity wishes to survive, they must reluctantly resurrect their most hated enemy, Godzilla.

When two souls find one another, nothing can tear them apart. Widower Takumi lives a quiet life with his six-year-old son Yuji after the loss of wife and mother Mio. Yuji unfailingly remembers her promise to him: "I'll be with you again in a year's time, when the rains come." On the first anniversary of her passing, Takumi and Yuji are taking a walk in the woods when they come across a woman sheltering from a monsoon downpour.

Azuma Kazuma isn't terribly clever, but he's got a good heart and great skill - at baking. Since childhood, he's been on a quest to create the perfect bread to represent Japan internationally. Now, he seeks to enter the famous bakery Pantasia, in hopes of reaching his goal. But plots abound...

Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.

Based on a true story from Hokkaido’s Hokusei Yoichi High School, the first high school in Japan to accept high school dropouts nationwide and the subject of a successful documentary, this drama will follow a former gang member, dropout and graduate of the school who returns as a teacher. We will follow him as he helps graduating students out into the world. The teachers and students will, as you would expect, confront all the issues of youth and society today. At this school, there are no compromises, no lies. This drama will move you as both students and teachers face a variety of issues head on. This is a moving story that is created by people coming together and learning to believe in each other.

Teenage girl has to decide if she is capable of being captain of the school's cheerleading squad. Suddenly the team lost the support and inspiration.

A woman in the midst of an unpleasant divorce moves to an eerie apartment building with her young daughter. The ceiling of their apartment has a dark and active leak.