In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

Insects mate, stories are born. The concept of “love” gets put under the looking glass in this captivatingly maverick film. Manuel, a lonely 36-year-old, begins an unusual friendship with the much younger Alma. A young foreign couple set out on an idyllic backpacking trip in Costa Rica. A Mexico City taxi driver visits a dive bar where he meets a sexy lounge singer. Vicente runs into an old classmate from high school and has something profound to share with her. Meanwhile, throughout the film, different couples speak about their relationships and thoughts

The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

One couple (Carlos & Irene) are having troubles, because he suspects that Irene's hiding something about her past in Russia. To make things worst her ex-husband goes to Mexico and tells Carlos that her other ex-husband also is going to claim her as his property.

Mexican feature film

Mexican feature film