She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

A playwright of note, Darius developed a drinking problem after his first major hit, and has taken time out from writing his follow-up to go to a clinic and dry out. After his release, Darius finds his producer has hired a leading lady for his next show, booked the theater and advertised the starting date -- all without Darius writing so much as a word of this new play. Darius desperately tries to come up with ideas, but nothing comes to mind, with an inflexible deadline staring him in the face. One day, Darius kills a neighbor's cat by accident; terribly depressed, he swallows some sedatives and falls asleep at his computer -- only to awake with the beginning of his play glowing on the screen. Darius is now convinced he must kill in order to create, and starts murdering an ever-expanding variety of creatures in order to satisfy his now bloodthirsty muse.

Behind the scenes of the theater, while the last performance has just ended, the comedian returns to his box.

The film's title is a pun, the double meaning referencing both the "wrong genre" and a person with distasteful motives. Insecure novelist Martial Bok promotes his new sexy novel La Fille de Dos ("Girl Observed From the Rear") with a round of book-signings and talk-shows. When beautiful hat designer Camille buys the book, Martial follows her and spies on her as she reads his book and removes her clothing. It's the beginning of his obsession and also an inspiration. After Martial's live-in girlfriend Lucie establishes contact with Camille for real, Martial is able to type out another sexy manuscript.

This TV movie is adapted from the memoirs of the singer Régine, in which she recounts her youth and her beginnings in the music hall.

In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.

The tragic life of 19th century French poet Arthur Rimbaud, as told by characters that knew him.

The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.

Roland and Martine, once child stars in a TV series, have sunk into a life of crime. Answering an ad from Isabelle, a young girl seeking work with children, they abduct her with the intention of selling her into prostitution. At the last moment, having become fond of her, they relent and set out to take her home. She rebels, insisting that she enjoys their exciting life of stolen cars, stolen cheques, hotels and restaurants left without paying the bill, and the threesome become a formidable team. Then Isabelle's mood changes again and she disappears with a hitch-hiker. Worried over her future, Roland and Martine trace her to the town where she is about to get married and abduct her, this time from the church steps. Roaring off in a stolen ambulance, the three are happily on the run again.

Max, who dreams of adventures, abandons his studies at 18 to become involved in the navy. He becomes the sailor 512.

A writer tries unsuccessfully to sell his screenplays and plays. He marries a television editor, but she only wants to fuck him and thinks nothing of his work. He then remembers his old Parisian lover Rita, calls himself Rita from then on and becomes her wife. When a French director stages a play of his, he meets Rita again in Paris and the two women become a happy couple.

Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.

Max Baumstein is a reputable businessman who founded an international organization fighting against violations of human rights. Why would he commit an act that apparently negates the principles he has striven for so long to uphold? As he is tried for first-degree murder for killing a Paraguayan ambassador in cold blood, he reveals a secret about himself that he kept hidden from his wife Lina. His act is the conclusion of a struggle that started many decades earlier in his childhood...