Max Frisch's famous parable about the cowardice of opportunists: Mr. Biedermann brings two arsonists into his home and pretends that they are his best friends.

Karl Bockerer is a Viennese original. He survives the ‘great times’ – to his own dismay his birthday is on the same day as the one of the “Führer” – by pretending to be more stupid than he really is, and uncovers, over and over again, the hypocrisy and the uptightness of the epic nonsense in his milieu by means of real and phony naivety. Where Schweijk made a mockery of the ruling system by being a presumptive follower, the Viennese butcher strives against the tide. And he is not alone, has family and friends. His personal braveness protects him neither from the rebellion in his own house, nor from the horrors of total war…

Albin Skoda embodies a frantic Adolf Hitler in his last days, scrambling to keep the Third Reich alive as morale within the bunker wanes and Berlin is encircled by enemy troops. Based on Michael A. Musmanno's book Ten Days to Die, Oscar Werner costars as fictional Nazi Hauptmann Wüst, a disillusioned middleman.

Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home