Cops L.A.C. is a 2010 Australian television police drama, which screened on the Nine Network. The series followed the work of officers at the Seaview Local Area Command, a fictitious police response area of the 'State Police' set in harbourside Sydney, New South Wales. The first series premiered on 2 September 2010, in the same timeslot of Network Ten's police drama Rush. On 22 November 2010, the Nine Network cancelled the show due to the high production costs.

Four unsuspecting victims find themselves beyond "The Twilight Zone" in a twisted and altered reality: an airline passenger thinks he's lost his identity... a bored housewife thinks she's found romance... a conman thinks he's made his mark... and a hired killer thinks she's ready to retire. Unfortunately for all of them, they soon discover that there's nothing like reality to get in the way of an otherwise perfectly twisted perspective. Things are never quite that simple.

Police Rescue was an Australian television series The series dealt with the New South Wales Police Rescue Squad based in Sydney and their work attending to various incidents from road accidents to train crashes.

An Australian television soap opera, set in a tough fictional inner-city district called Westside. The stories revolve around the local community there. Created by Forrest Redlich and produced by Network Ten from 24 January 1989 to 13 May 1993.

An Australian television soap opera, set in a tough fictional inner-city district called Westside. The stories revolve around the local community there. Created by Forrest Redlich and produced by Network Ten from 24 January 1989 to 13 May 1993.

Rafferty's Rules was an Australian television drama series which ran from 1987 to 1990 on the Seven Network. Rafferty's Rules was one of the first programs undertaken by the Seven Network's then new in-house drama unit, going into production in May 1985 as "a 15-part courtroom drama". The program had started out as a pilot episode, recorded in early 1984 with the actor Chris Haywood in the lead role. When the pilot episode was remounted later in 1984, Chris Haywood wasn't available and the lead role was re-cast to John Wood. This second recording was eventually broadcast as the program's first episode.

In 1970, political journalist Richard lives with Penny but is having an affair with actress Dee. The two woman meet and become friends.

Businessman Gerald Barker is invited to join a mysterious super corporation known as The Firm. His work in the organisation turns out to be of a unique and somewhat disturbing nature. But Gerald finds no comfort with his wife Melissa and friend Barry - his relationships with both collapse. In a surreal and strange fashion, Gerald eventually comes to understand what The Firm is about. Made on a tiny budget of $15,000 the film is a mix of naturalism and stylisation which the filmmaker hoped would work on 'a simple, surrealistic level'.

A classic Australian underground comedy in which a group of people fight over how to make the truly collective/revolutionary/existential movie. Original intentions get sidetracked but all attempts to set things straight result in yet another, but strangely similar, script. Cast includes: John Flaus, Peggy Cole.

This self-funded verité comedy starring John Duigan is something of a swan song for the “Carlton ripple” and reflects the movement’s characteristic vacillation between intensely local and distantly international influences.

A student of criminology is completing a thesis on Melbourne mass murderers. With the aid of a German professor he visits the scenes of the crimes of Frederick Deeming, Norman List, Arnold Sodeman and Edward Leonski and reconstructs them.

Life inside a late 1960s Carlton student share house plays out across six alternately comedic and melancholy real-time vignettes. When his friend takes a trip, cinephile Al is left alone for the weekend with three female housemates, a situation that only serves to exacerbate his social awkwardness. One of the most distinctive works to emerge from the ‘Carlton ripple’, David Minter’s 1969 slice-of-life comedy carries echoes of Éric Rohmer’s moral tales.