"The Gaze Adventure" is simultaneously an essay film and a fiction film. that approaches the multiple function of the gaze as a main element of the cinematic world, and as a carrier of the cinematic journey.

When Eva, a little Greek-Romanian girl with a speech impediment, loses both her parents on the same day in an accident, Loukas, her reclusive, racist grandfather who has never met her is the only Greek relative who can take custody of her, yet he stubbornly refuses. The unknown fate of Eva is now assigned to Marina, a social worker from a broken home, who decides to fight alongside Loukas against his past, thus forcing both him and herself to work towards their own salvation for the first time.

The bracelet that changes hands all the time

Marina,a teacher in high school gets a divorce after many years of marriage.She agrees though to go on a date with Andreas,a succesfull doctor and father one of her students.

As an unpredictable, sweeping pandemic causes people to develop sudden amnesia, a man finds himself enrolled in a recovery program designed to help him build a new life. His treatment: performing daily tasks prescribed by his doctors on cassette tape, and capturing those with a Polaroid camera.

Through thirteen images and an equal number of stories, little Melina-Amalia, the teenager, the woman, the fighter, Blanche, Stella, Ilya, Phaedra, Medea, Clytemnestra, Minister of Culture, the stoic Melina in Memorial Hospital, all aspects of the "last Greek goddess". Shot on the stage of the National Theater Rex - Marika Kotopouli, it captures, balancing between theater and cinema, important historical events that make the myth that surrounds the glamorous protagonist even more powerful and charming.

Two men go in search of a birdman to become a bird in nine steps.

Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².

A woman is hired as a debt collection agent in a call center. Under pressure from her team leader, she tries to adapt to her working conditions. After hearing a tragic story, she becomes interested in the lives of people she has been speaking to on the phone.

In 1935, financially strapped widow Louisa Durrell, whose life has fallen apart, decides to move from England, with her four children (three sons, one daughter), to the island of Corfu, Greece. Once there, the family moves into a dilapidated old house that has no electricity and that is crumbling apart. But life on Corfu is cheap, it's an earthly paradise, and the Durrells proceed to forge their new existence, with all its challenges, adventures, and forming relationships.

A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.

Sometimes coming home is not what you expect it to be.

The first part of an incomplete trilogy telling the story of the greek people. The film begins in 1919, with Greek immigrants from Odessa arriving near Thessaloniki. Led by the charismatic Spyros, they establish a new settlement in the delta of a river. The youngest of the settlers are Spyros' son Alexis and an orphan from Odessa, Eleni. A strong, almost incestuous affection develops between the teenagers, resulting in twins who are given to a foster family. Also standing in the way of love is Spyros, determined to take his foster daughter as his wife. The lovers then decide to flee the village, persecuted by their father, leading a life of exile. As Alexis joins a group of musicians planning to go to the United States, Eleni regains custody of the twins. Angelopoulos, as in previous films, looks at the sacrifice of civilians confronted by the workers' demonstrations of 1935, the rule of Metaxas' fascist junta and forced emigration to America, and finally the civil war of 1944-1949.