Tom and Jerry are two hit men, they work by day at a third-rate second-hand car dealership. Tom is a veteran and Jerry is a novice in their business, and their attitude toward their profession differs a lot. It shows when Tom is required to kill his old friend Karl.

A young woman moves with her mother to her mother's hometown and is haunted by the ghost of a dead teenager.

A detective tries to track down a serial killer who is thought to be targeting the policeman's god-daughter.

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.