March 12, 2020. COVID-19 has just been declared a global pandemic, confinement measures are being implemented all across the world. Fanny, Samuel, Marianne and Daniel, four Montrealers from very different backgrounds, must now adapt to this new reality. What they believe to be a temporary situation will turn into a long ordeal that will change their lives forever. Between reality and fiction, Première vague is a portrait of the first 100 days of the pandemic in the city of Montreal, Canada.

Martin Matte and his hilarious universe are back, and this time he’s taking on separation and shared custody!

Bryan Audet and his two acolytes talk about everyday life, about the subjects who annoy them and those who bring them together, serious or much lighter subjects. Debate, laughter and fun in a relaxed atmosphere.

In the bedroom of a cottage by the sea, two people consume their love. Their affair split into visual sequences of different ages of their lives, showing the stability and evolution of their relationship.

Michel Dumont is charged, judged and sentenced for a rape he denies ever having committed. While he serves his time in prison, Solange, who he fell in love with during his trial, embarks on the colossal task of proving his innocence and having the court rehabilitate him.

The crew aboard the Romano Fafard spaceship continues their mission. Captain Patenaude and his acolytes land on planet: Crème hydratante pour le visage soulage la peau sèche (moisturing cream for the face soothes dry skin!) in hopes of finding the ship’s probe, accidentally crashed, that they must have in order to move the Earthlings. Their search is in vain, but it leads them to the tyrannical Governor Supreme who rules the planet. Just when the governor is about to tell them where to find a new probe, there’s a terrible explosion. Will the captain and the Romano Fafard find a liveable planet where they can move six billion Earthlings? And if so, when?

A reporter goes to a mysterious village to investigate mysterious disappearances until one night, his friend gets abducted and every citizen wants him dead.

Recruited to assist Montreal police in their desperate search for a serial killer who assumes the identities of his victims, FBI profiler Illeana Scott knows it's only a matter of time before the killer strikes again. Her most promising lead is a museum employee who might be the killer's only eyewitness.

It has kidnapped Roxane Labelle, a Canadian singer covered gold records and awards. To his captors, no question of release without payment of a large ransom. Father and manager of the star, Paul Labelle asks a small accountant do it. Easier said than done, especially the payer also has a large sum to the Mafia and, rapidly, what Québec account scoundrels, thieves and killers are chasing the fabulous bonanza.

After an unpleasant run-in with a group of bikers, a young convenience store robber (Marc) gets approached by the same bikers to help out with a picnic. After the picnic, seeing he has guts, the bikers propose him for membership. As the story unfolds, Marc winds up questioning his own morality and wondering whether he's going down the wrong path. The biggest problem, however, is that one of his friends got him into trouble, and he has little time to fix it...

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

Fleeing from some other children who want to beat him, Olivier meets the ghost of a Pirate who every hundred years tries to find a parchment. Olivier agrees to help him. But in doing so he is captured by a bunch of pirates. The other children of the village discover a door thru time and space in an old haunted house and decide to rescue Olivier from Captain Monbars' pirates.

Les Intrépides, is a France-Quebec TV series for children, released between 1993 and 1996, that ran for 52 episodes. The series is about adventures of two kids; Julie Boileau and Tom Miller, whose parents got married and that made them step-siblings. Tom and Julie run their own radio station for kids and help its listeners to resolve their - often criminal - adventures and problems.

This historical drama with music examines the life and times of Émile Nelligan, one of the major Canadian poets of the 19th century who struggled through a difficult childhood with the help of his loving mother, only to see his career cut short by tragic circumstances.

An actor works as night watchman at a film studio where a musical serial killer strikes.

Lance et Compte is a series of Quebec téléromans revolving around a Quebec City ice hockey team. The series aired from 1986 to 1989 on the Radio-Canada network, and revival series on TQS in 2001 and on TVA from 2004 to the present. The first season was filmed in both French and English, the English version appearing on CBC Television as He Shoots, He Scores. It was the first television series to air simultaneously in English on CBC and in French on Radio-Canada. The series was scripted by Réjean Tremblay and Louis Caron for the first season, and by Tremblay and Jacques Jacob after that. Following the end of the regular series, a number of television movies continued to air into the 1990s. A new generation of the series started to air in 2001 and a movie was made in 2010.

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.