A priceless relic is stolen from identical royals Queen Margaret and Princess Stacy, who enlist the help of their sketchy look-alike cousin Fiona Pembroke to retrieve it.

Shoot the Messenger follows one man's painful journey towards self-discovery. On the way he finds both his own attitudes and the expectations of his community challenged.

Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.

Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.

McCallum is a British television series that was produced by STV Productions. Dr Iain McCallum was the original lead character, played by John Hannah. McCallum was a forensic pathologist who traveled by Triumph Motorcycle, and solved murders. The character had romantic involvements with two of the other principal characters, Joanna, and later Angela. The last episode did not include McCallum and Angela as the story stated that they had taken jobs in America. They were replaced by Dr. Dan Gallagher and Dr. Charley Fielding.

Spike and his sister Anjela live in the Terrordome, a huge ghetto that all the blacks have been forced to live in. Jodie, Spike's pregnant white girlfriend, ran away from an abusive white boyfriend who, after seeing her with Spike, sets up a trap for her. Spike's 11-year old nephew Hector dies as a result of this trap, and Anjela, finding the body of her son, goes on a police-killing rampage. Her apprehension sets off tension between Spike and his brother-in-law, as a race war broods inside the Terrordome.

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.